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More thoughts on the royal wedding
Clothing is a powerful symbol. Meghan, Duchess of Sussex’s modern, romantic wedding dress by Givenchy was a nod to the goddesses he dressed – Princess Grace of Monaco, Audrey Hepburn and Jacqueline Kennedy Onassis, among them – as well as to the woman who now heads the house, Clare Waight Keller, its first female artistic director. The columnar effect of that simply elegant dress …
In the end – after all the melodrama about in-laws and outlaws, race and clashing cultures – it was both a deeply personal moment and a global event brimming with cultural meaning.
A justifiably proud, almost wistful mother seeing her daughter off into a new life; a father-in-law stepping in to escort a bride who might’ve represented the daughter he never had; a self-possessed scion supporting his adored, rougher-around-the-edges kid brother on his big day; and oh, that kid brother – like a hero out of Jane Austen – waiting, craning his neck, hoping almost against hope, as it were, for “her” to appear. Then, finally, yes, it was she, of course, poised at the entrance of the church, but then, who else would it, could it, be? Looking like a goddess …
One of the more endearing but also infuriating things about Americans is their belief that anyone can do anything if he just works hard enough, fast enough. This is the “Dancing With the Stars” philosophy of life that says you, too, can be a ballroom dancer if you have three weeks of intense training and, possibly, Maksim Chmerkovsky as a partner.
This would be amusing if it weren’t sometimes so deadly. Now we have a president who lacks the talent, temperament, training and technique for the job and it shows in the country pulling unilaterally out of the Iran nuclear deal, moving its embassy to Jerusalem with violent consequences and now facing a North Korean pullout from the planned summit due to American-South Korean military maneuvers. …
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