The statues of limitations

August 23, 2017

I must confess to a certain smugness as the debate regarding the removal of Confederate statuary has taken on an aesthetic perspective. For years, I have endured the tacit, passive-aggressive notion from some newspaper colleagues and even bosses that my job as a cultural writer was not as important as those of the political and municipal writers and even the sports reporters. (Indeed, I lost that job partly because it was considered of lesser significance.)

But the arts – somewhat like religion and the family – are the refuge of the desperate and the inconsolable. Unfortunately for the arts, they are a refuge that their seekers often do not fully understand.

Some of my colleagues in my present job as an editor wonder about the artistic value that may be lost in the removal of the Confederate statues. No less an art lover than President Donald J. Trump bemoaned “the beauty that is being taken out of our cities, towns and parks.”

But are these works beautiful and, more to the point, are they art? ...

My big, fat Greek odyssey, Part II: Hello, Thessaloniki

October 15, 2016

Our Times Journey group of Alexandrians no sooner got acclimated to Athens than it was time to bid the city – and its mesmerizing views of the Acropolis – a brief farewell and head north to Thessaloniki, about an hour’s flight, or the distance between New York and Washington D.C.

Named for a younger half-sister of Alexander the Great – his father, the crafty, lusty Philip II, having loved much but apparently none too well – Thessaloniki is the second largest city in Greece but the main one in the misty, highland Macedonian region that was once Philip’s kingdom.

At Athens International Airport, I scored a small, hefty, well-molded head of the Acropolis Museum Alexander in a gift shop, plus a free copy of the “Greece is….Thessaloniki” magazine, with an Andy Warhol Alexander on the cover, so I was pumped. ...

American Pharoah spurs Vogue ‘Horse and Rider’ exhibit

July 28, 2015

With the appearance of American Pharoah in Vogue, the magazine considers the relationship of “Horse and Rider” in the inaugural exhibit of the online Vogue’s Gallery, a subject that dates from ancient times and that may see a resurgence with the Pharoah’s success.

Among my favorite horse-and-rider works are those involving Alexander the Great and his faithful steed Bucephalus – or “Ox-head,” for the white, ox-shaped marking on his forehead -- whom he tamed when he was just a boy. (Alexander noticed that the big, black stallion was afraid of his shadow and so turned his head toward the sun so he couldn’t see it. The story sounds like a legend, but many historians agree that it’s probably true. Bucephalus and Alexander were a team for many years until the horse died at age 26 in modern-day Pakistan, where he is said to be buried in a town named for him.) ...

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