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Oh, say can you see the point of the Anthem protest?

A new development in the continuing saga that is the Trumping of some NFL players taking a knee during the National Anthem to protest police brutality against people of color: Vice President Mike Pence left the Indianapolis Colts-San Francisco 49ers game after several Niners – former teammates of protest initiator and onetime quarterback Colin Kaepernick – took a knee during the Anthem.

"I asked @VP Pence to leave stadium if any players kneeled, disrespecting our country. I am proud of him and @SecondLady Karen," Trump wrote on Twitter.

"I left today's Colts game because @POTUS and I will not dignify any event that disrespects our soldiers, our Flag, or our National Anthem," Pence wrote on Twitter.

But he and @POTUS must’ve known that there would be kneeling players, particularly on the Niners – who, along with the rest of California, are to the resistance of @POTUS what Boston was to the American Revolution. ...

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Paris, the city of popular imagination

One of the themes to emerge from the Nov. 13 Paris bombings has been why the world – and particularly journalists – has paid more attention to the terrorist acts in Paris than it has to the double suicide bombing in Beirut a day earlier. 

There are any number of reasons for this:  Bombings in the Middle East, sadly, seem commonplace; the Paris attack is more of an anomaly; more people were killed in Paris (129 to Beirut’s 43), although you can’t really quantify death, of course, each death being a tragedy to someone; the West and particularly the United States have close ties to France, etc. ...

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Paris burning

There is a moment in “Casablanca” in which Resistance leader Victor Laszlo (Paul Henreid) – having escaped from a Nazi concentration camp – confronts a group of German officers in Rick’s Café Américain through music. The Germans are loudly, arrogantly singing “Die Wacht am Rhein,” an anthem that has its roots in French-German antagonism, when Victor orders the house band to strike up “La Marseillaise,” the French national anthem, to which club owner Rick Blaine (Humphrey Bogart) acquiesces. One by one the club patrons rise and join in, all but Victor’s wife – and Rick’s former lover – Ilsa Lund (Ingrid Bergman). As the others sing lustily, she sits thinking and marveling at all that has been lost and yet still remains.

It is one of the most moving moments in the history of cinema, one I couldn’t help but flashing on as the City of Light was plunged into the heart of darkness. The fans leaving the Stade de France – where one in a series of coordinated ISIS attacks took place on Friday the 13th – burst into “La Marseillaise.” The exchange students in Manhattan’s Union Square held hands as they sang it that night. And Placido Domingo led The Metropolitan Opera Chorus in it at Lincoln Center Saturday afternoon. It, too, is a symbol of all that has been lost and yet still remains. ...

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Polo and the essence of modernism

It was a sparkling climax to the season at the Greenwich Polo Club Sunday, Sept. 7 as Royal Salute held off a surging Casablanca 10-8 in a taut match for the Royal Salute Cup.

The match, spectators were told, featured the highest quality polo in the Northern Hemisphere, with Facundo Pieres, the No. 1-ranked player in the world, the legendary Martin Aguerre and Peter Brant, the Greenwich club’s founder, anchoring the team for Royal Salute, the Scotch whisky company, while Nick Manifold, who oversees the club, and  9-goaler Hilario Ulloa (10 is the highest ranking) doing the honors for Casablanca, a polo-gear company that has a store on tony Greenwich Avenue.

If you’ve never seen this ancient sport, which dates from the Persian Empire, then you’re missing something. Polo is fast, exciting and, I suspect, more than a little bit dangerous. Just to see the horses thunder down the green expanse (10 football fields), the riders swinging their mallets as they sometimes mix it up – nose to nose and haunch to haunch – is, well, thrilling.

And did I mention sexy? Polo players are among the most attractive, masculine men in the world. ...

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