It’s Pluto(palooza) time

July 14, 2015

Vive la France and vive Pluto.

Tomorrow, July 14, Bastille Day (alias the Frenchy Fourth of July), New Horizons spacecraft will do its Pluto flyby. NASA TV will have a live broadcast from 7:30 to 9 a.m. EDT. But here’s the thing: We won’t know if the flyby has been successful – or if the probe, which looks like a grand piano wrapped in gold and silver foil, has hit debris and exploded – until 8:53 p.m. EDT when we get our first bit of data. We’ll get our first look at Charon, Pluto’s rival moon, at 7 a.m. EDT Wednesday, July 15. (Remember that Charon in Greek mythology is the ferryman who delivers the dead to Hades, or Pluto, lord of the underworld, so it’s all good in terms of keeping our mythological ducks in a row.) We’re also going to get a gander at Hydra, another of Pluto’s five moons. (And another Greco-Roman mythological reference: The Hydra was the seven-headed monster Herakles, or Hercules, had to battle.) Then at 3:25 p.m. Wednesday, finally, it’s Pluto time, with the little planet that could showing us its heart. (No, Pluto, we heart you.) ...

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Warrior women

July 14, 2015

Stanford research scholar Adrienne Mayor – a National Book Award finalist for “The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy” – has a new book out, “The Amazons: Lives & Legends of Warrior Women Across the Ancient World” (Princeton University Press, 519 pages, $29.95).

It blows the lid off the myth of the one-breasted she-males who kidnapped men for sex, abandoning any resulting male offspring, to paint a portrait of those Eurasian women who once and still live like men. ...

'Hercules,' part deux

August 11, 2014

Following a train of thought, I thought I’d expand on the previous post concerning the new movie “Hercules.”

I suppose there is a segment of society that won’t see it – or admit to seeing it. But to me pop culture is culture, too, and thus a starting point for intellectual discussion. Indeed, the film sent me scurrying to my bookshelves for a childhood favorite, Philip E. Slater’s psychoanalytic “The Glory of Hera” (Beacon Press), a book so old that it cost $3.95. (Actually, it’s not that old. It was published in 1968.)

Slater paints a portrait of a complex character – a man who is at once gay and straight, masculine and feminine, a lover of family and its destroyer, mother-identified and mother-loathing, victim and victimizer, monster and martyr, all-too-human being and transcendent god. Hercules – Heracles in Greek – is all this, because his myth changed as Greece evolved. He is a metaphor then for the birth of a nation. And more...

The Rock rolls in “Hercules”

August 10, 2014

"I like the gods,” my friend novelist and movie blogger Barbara Nachman says as we exit the new “Hercules,” starring Dwayne Johnson, aka The Rock, in the title role.

I do, too. The Greek gods were among my childhood companions, offering thrilling stories and transcendence without the guilt trip of modern religion. (A well-known classicist, who shall remain nameless here, once told me she would take the Greek gods over the Abrahamic one any day of the week and twice on Sundays, so to speak.)

This being the age of post-modernism, the gods are nowhere to be found in the new “Hercules,” and that’s too bad, because they’re such an entertaining lot and because the ancient Greeks believed in them – or at least the stories they could spin off of them – so passionately. (Certainly, the Greco-Macedonian conqueror Alexander the Great did. He saw Hercules – Heracles in Greek, Hercules in Latin – as one of his paternal ancestors.)

Making a movie about an ancient Greek legend when you imply that the legend is really part PR campaign, part empowerment exercise, well, it doesn’t quite cut it, does it?

Otherwise, the new “Herc” is a not-bad movie that fits...