This blue faience hippopotamus from Egypt’s Middle Kingdom (1961-1878 B.C.) , known as William, is a kind of mascot of The Metropolitan Museum of Art, with replicas sold in its gift shops.

Covid, Ukraine and the meaning of suffering

April 10, 2022

“Hippo King” — a recent episode of PBS’ “Nature,” a show I find difficult to watch but am nonetheless drawn to — tells the story of a hippopotamus from birth through violent maturity to his becoming the primary bull in his pod and eventual death at age 35. In a key moment, the young hippo, on his own for the first time, is eyed by a pride of lionesses. But they turn their attention to a swift gazelle that flashes before them until they attack and devour it as our hippo protagonist watches and moves on, perhaps relieved that it was not his day.

I find myself thinking of that hippo of late as Passover approaches and Holy Week begins in a saason that has always symbolized death and rebirth. Why do we suffer? Well, I think we know why we suffer — OPS (other people’s selfishness) for one thing and then there are those calamities the flesh is heir to that we generally have no control over, like many illnesses.

‘Darkest Hour’: a timely tale of courage

December 31, 2017

Hindsight, they say, is 20/20. If it is, it must be with prescriptive rose-colored glasses. Because the past has been completed – successfully or otherwise – we tend to think of it as having been lived with a foregone conclusion. We forget that at the time, the past was the present, the outcome never assured.

“Darkest Hour” – an inspirational new film directed with subtle tension by Joe Wright (“Pride & Prejudice”) – recounts several weeks in May 1940 when England stood alone in a world on the brink of totalitarianism. It stars a soaring Gary Oldman, virtually unrecognizable ...

Summer reading – tennis’ (and humanity’s) ‘Terrible Splendor’

August 14, 2015

Tennis is a game of doubles. In the Hitchcock thriller “Strangers on a Train,” the tennis star must confront and overcome his murderous doppelgänger. In Woody Allen’s “Match Point,” the tennis pro is his murderous doppelgänger.

In Nijinsky’s ballet “Jeux,” the male tennis player is involved with two women.

Marshall Jon Fisher’s juicy 2009 book “A Terrible Splendor” (Three Rivers Press) offers a very different pas de trios. ...