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Greek to us: ‘Power and Pathos’ at the National Gallery of Art

One of my – and my family’s – Christmas gifts to myself was a trip to “Power and Pathos: Bronze Sculpture of the Hellenistic World,” which is at the National Gallery of Art through March 20.

For me, an amateur classicist whose love of Greco-Roman culture threads all of my writing, “Power and Pathos” in Washington was something of a Holy Grail. It originated at the J. Paul Getty Museum in Los Angeles – one of two big shows on the ancient Greeks to appear this year, the other being “The Body Beautiful in Ancient Greece” at the British Museum.

But neither London nor Los Angeles was in my game plan and when my annual Christmas trip to Washington arrived, so did my moment.

That moment didn’t disappoint, for no sooner did my photographing nephew and I enter the exhibit than we encountered “Alexander the Great on Horseback,” a small first century B.C.  silver-inlaid bronze replica of the bronze original by Lysippos, the only artist allowed to capture Alexander’s likeness besides the painter Apelles and the gem-carver Pyrgoteles. The backdrop for this equestrian statue is a reproduced portion of “The Alexander Mosaic” (circa 100 B.C.), depicting the Greco-Macedonian conqueror’s defeat of the Persian emperor Darius III at the Battle of Issus. (Both works are in the Museo Archeologico Nazionale in Naples.) ...

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Paris burning

There is a moment in “Casablanca” in which Resistance leader Victor Laszlo (Paul Henreid) – having escaped from a Nazi concentration camp – confronts a group of German officers in Rick’s Café Américain through music. The Germans are loudly, arrogantly singing “Die Wacht am Rhein,” an anthem that has its roots in French-German antagonism, when Victor orders the house band to strike up “La Marseillaise,” the French national anthem, to which club owner Rick Blaine (Humphrey Bogart) acquiesces. One by one the club patrons rise and join in, all but Victor’s wife – and Rick’s former lover – Ilsa Lund (Ingrid Bergman). As the others sing lustily, she sits thinking and marveling at all that has been lost and yet still remains.

It is one of the most moving moments in the history of cinema, one I couldn’t help but flashing on as the City of Light was plunged into the heart of darkness. The fans leaving the Stade de France – where one in a series of coordinated ISIS attacks took place on Friday the 13th – burst into “La Marseillaise.” The exchange students in Manhattan’s Union Square held hands as they sang it that night. And Placido Domingo led The Metropolitan Opera Chorus in it at Lincoln Center Saturday afternoon. It, too, is a symbol of all that has been lost and yet still remains. ...

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American Pharoah, Novak Djokovic: What defines greatness?

American Pharoah has arrived at Keeneland in Lexington for the Breeders’ Cup Classic Saturday, the final race of his career. He’s going to face an older woman, Beholder; older guys like Tonalist and Honor Code; and old rivals like Frosted and Keen Ice.

But hey, is that any worse than the naysayers, the ones who remark that he’s good but not great – certainly not as great as the greats of the 1970s, Secretariat, Seattle Slew and my beloved Affirmed; and, that if he doesn’t win the Breeders’ Cup, he really won’t be considered great.

This is the same conversation about Novak Djokovic, who will lead the field at the BNP Paribas Masters Paris, which begins also on Saturday and runs through Nov. 8. If he doesn’t repeat in Paris and at the Barclays ATP World Tour Finals in London the following week, he won’t have had a great season.

Let’s review, shall we? ...

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The Greek debt crisis: WWATGD? (What would Alexander the Great do?)

In my debut novel “Water Music” – the story of the rivalries and loves among four gay athletes – Spyros Vyranos is a successful shipping executive in a country whose glory days seem momentarily long behind it. 

“The money’s all in Russia and China these days,” Spyros complains bitterly to his son, Alexandros. That the continuing Greek fiscal crisis may be in large part of the Greeks own making is not lost on Alex, who has a strong sense of history and irony ...

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