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My big fat Greek odyssey, Part I: Arriving in Athens

Even casual readers of this blog will have surmised my passion for the Greeks in general and Alexander the Great in particular. So when I saw an ad for Times Journeys’ “The Legacy of Alexander the Great” tour on the back page of The New York Times one late winter day and learned that there was one single room left for the late summer voyage, I jumped at the chance.

Not. Even though it was Alexander, I kept finding excuses. Work, home, fear of flying, money, did I mention work? Besides, I needed the money to self-publish the second book in my series, “The Games Men Play.” I needed a sign. Then I got one in the form of a contract for the book. ...

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Adventures in publishing, Washington edition

It is a truth universally acknowledged that an author of good fortune – or, let’s face it, no fortune at all – must be in want of an audience. And so I repaired once again, dear readers, to The DC Center for the LGBT Community’s OutWrite Book Festival in Washington, this time to read from my novel “The Penalty for Holding” – about a gay, biracial quarterback’s quest for love in the NFL. It is slated to be published next year by Less Than Three Press.

But this was also a busman’s holiday as well, as I had in mind visiting two exhibits I longed to see – “The Greeks: Agamemnon to Alexander the Great,” at the National Geographic Museum through Oct. 10, and “Will & Jane: Shakespeare, Austen and the Cult of Celebrity,” at the Folger Shakespeare Library through Nov. 6. What is it that the late Nora Ephron said: “Everything is copy”? Everywhere I went reminded me of what it means to be a writer. ...

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Seems like old times with Phelpte

Michael Phelps won his 21st gold medal and the U.S. men’s swimming team took its fourth consecutive gold in the 4-x-200 meter relay Tuesday in Rio de Janeiro. In all four relays, the common denominator was Phelps and longtime teammate and rival Ryan Lochte. He and Phelps swam the third and anchor legs respectively. They are now the grand old men of swimming at 32 and 31. Seems like only yesterday they were teenagers crowned in laurel and giggling on the podium in Athens.

Phelps, who’s had his share of problems with alcohol, has a newfound maturity with fiancée Nicole Johnson and baby Boomer (so adorable). Some things, however, never change. Lochte, noted for his, shall we say, striking sartorial choices, dyed his hair ice-blue for the Rio Games. Instead it looks platinum.

Why do thoroughly gorgeous people tamper with Greco-Roman beauty?

 

 

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Alex and Athena take Manhattan

In WAG’s June “Celebrating the Globe” issue, I wrote about my passion – OK, some would say my obsession – with all things ancient Greek, particularly Alexander the Great, the Greco-Macedonian king whose conquest of the Persian Empire in 331 B.C. when he was in his mid-20s would lead to the dissemination of Greek culture in the East, underscoring a cultural cross-pollination and political tension that are still with us today.

Recently, The Metropolitan Museum of Art in Manhattan explored these themes in its blockbuster exhibit “Pergamon and the Hellenistic Kingdoms of the Ancient World,” which I also wrote about in our June issue and which featured a kind of greatest hits of the Hellenistic (post-classical Greek) world. ...

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Greek to me: Met opens “Pergamon,” unprecedented Hellenistic show

“So,” a publicist at The Metropolitan Museum of Art asked teasingly, “are there enough Alexanders for you?”

She knows me only too well. Lover of the ancient Greeks that I am, there can never be for me enough images of Alexander the Great – the Greco-Macedonian king whose conquest of the Persian Empire in 331 B.C. ushered in 300 years of Hellenism (Greek culture) in Asia, reversing the course of cultural influence from East-West to West-East, and underscoring a tension between East and West that is still with us.

And yet, there I was in the first gallery of “Pergamon and the Hellenistic Kingdoms of the Ancient World” (April 18 through July 17), surrounded by Alexanders. ...

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Greek to us: ‘Power and Pathos’ at the National Gallery of Art

One of my – and my family’s – Christmas gifts to myself was a trip to “Power and Pathos: Bronze Sculpture of the Hellenistic World,” which is at the National Gallery of Art through March 20.

For me, an amateur classicist whose love of Greco-Roman culture threads all of my writing, “Power and Pathos” in Washington was something of a Holy Grail. It originated at the J. Paul Getty Museum in Los Angeles – one of two big shows on the ancient Greeks to appear this year, the other being “The Body Beautiful in Ancient Greece” at the British Museum.

But neither London nor Los Angeles was in my game plan and when my annual Christmas trip to Washington arrived, so did my moment.

That moment didn’t disappoint, for no sooner did my photographing nephew and I enter the exhibit than we encountered “Alexander the Great on Horseback,” a small first century B.C.  silver-inlaid bronze replica of the bronze original by Lysippos, the only artist allowed to capture Alexander’s likeness besides the painter Apelles and the gem-carver Pyrgoteles. The backdrop for this equestrian statue is a reproduced portion of “The Alexander Mosaic” (circa 100 B.C.), depicting the Greco-Macedonian conqueror’s defeat of the Persian emperor Darius III at the Battle of Issus. (Both works are in the Museo Archeologico Nazionale in Naples.) ...

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Parting thoughts on the US Open

In the end, I think Stan Wawrinka did Novak Djokovic a favor. By beating Nole in the French Open final, he took the Grand Slam pressure off of him and enabled him to say, “You know what? The heck with it. I’m slamming that door (pun intended) and going for it at Wimbledon and the US Open.”

All the talk was about Serena, but Nole actually came closer to winning the Grand Slam as he lost in the French final but won the other three (US Open, Wimbledon, Australian Open) whereas she won the French, Australian and Wimbledon but lost in the US semifinals. ...

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