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Trump as metaphor

When I interviewed historian David Starkey about his new documentary and book “The Six Wives of Henry VIII” in 2001, I asked him about the downfall of the most bewitching of the wives, Anne Boleyn (No. 2) How did such a smart Rules Girl lose her head?

Starkey’s response was a shrewd one: What’s attractive in a mistress is often annoying in a wife.

I thought of that as I watched President Donald J. Trump back on the stump as if it were 2020. (God, if only it were.) Not that Trump is any Anne Boleyn. If anything, his outsize ego, multiple wives and sybaritic cruelty are much more reminiscent of Henry. But The Donald is an Anne in this regard: They have proved better at the  pursuit than the prize. ...

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Vladdie and The Donald: A fine bromance

As a writer of homoerotic fiction, I consider myself a collector and connoisseur of male/male romances. I began with the ancient Greeks, who practically invented homoerotic relationships – all those youths beloved by Apollo, whose depiction reached an apotheosis in the paintings of neoclassical Paris (see Abigail Solomon-Godeau’s provocative book “Male Trouble”); and the relationships of Alexander the Great with his right-hand man, Hephaestion, and eunuch Bagoas, portrayed so movingly in Mary Renault’s “Fire From Heaven” and “The Persian Boy,” respectively.

Then there’s Marguerite Yourcenar’s “Memoirs of Hadrian,” a model for all aspiring historical fiction writers, which tells the story of the titular Greek-loving Roman emperor and his love for the tragic Greek youth Antinous.

Moving on to our own (mostly) gay-friendly, postfeminist time, there’s Gus Van Sant’s ingenious “My Own Private Idaho,” based on “Henry IV,” and Annie Proulx’s hauntingly spare novella “Brokeback Mountain,” made into an equally worthy film by Ang Lee. ...

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Whither the female gaze in the Trump era?

Years ago, I had a dream job with Gannett Inc. as senior cultural writer. One of my beats was to cover the big arts stories of the day and so it was that I found myself on one occasion interviewing Richard Cragun the American-born star of the Stuttgart Ballet and one of the finest male dancers of the 20th century.

In those days, Gannett recycled our stories in its many publications, and my Cragun piece found its way into one of the tabloids overseen by a favorite editor who was fond of the Daily News and New York Post. It was with some sheepishness then that I handed the publicist a copy of the publication with the words “Ballet Hunk” in the headlines. I needn’t have worried. He was thrilled.

I covered most of the great “ballet hunks” of the 20th and early-21st centuries ...

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In defense of Streep, the humanities – and humanity

The latest salvo in the culture war that is surely to deepen under President Donald Trump was fired by Meryl Streep in a graceful and grace-filled speech at the Golden Globes.

I’m not a fan of people using award shows as a bully pulpit, coming of age as I did in the  1970s when such Oscar speeches (think Vanessa Redgrave and an absent Marlon Brando) were a kind of cliché. I’m not a fan of gesture politics like refusing to stand for the National Anthem. I’m not even a fan of Meryl Streep, a sometimes mannered actress (“Sophie’s Choice,” “The Hours”) who’s nevertheless capable of great work (“Marvin’s Room,” “The Manchurian Candidate”).

But Streep – a hard-working craftswoman who has paid her dues – offered a master class in a performer giving a political speech by turning the concept of the politician as performer inside out. ...

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Atlas shrugged? 2017’s mean season

My contractor and friend gave me a telling gift for Christmas – a Veronese bronze of the Greek Titan Atlas.

He brings a mature, Herculean masculinity to a collection that includes several younger Apollos, Davids and St. Michaels, along with, of course, many Alexanders. But beyond that Atlas’ burden is both illustrative of and instructive for our time.

After the Titans lost their battle with the Olympians, sky/chief god Zeus condemned Atlas to hold up the sky at the western edge of the Earth, so sky and Earth could not resume their amorous relationship. In ancient times, Atlas was depicted shouldering the celestial spheres, a tradition upheld in Lee Lawrie’s colossal bronze at Rockefeller Center. ...

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My big fat Greek odyssey, Part V: Power and death in Vergina

With the recent death of Fidel Castro – and the return of “The Hollow Crown” series to PBS, based on Shakespeare’s Henry and Richard histories – my thoughts turn to Vergina, the highlight of My Big Fat Greek Odyssey and a place were leaders were made and unmade.

It was here in the ancient capital of Aigai that Philip II was assassinated on his daughter Cleopatra’s wedding day in a kind of “Godfather” moment. It was here that his son and Cleopatra’s full brother, Alexander, became king. And it was here that the ancient burial mounds of kings of Macedon were unearthed by archaeologist Manolis Andronokis in 1977.

Today, a museum sits on the site, with another coming. We arrived on a rainy morning and were immediately delivered into a world that is overwhelming. This is a dark space that throws the treasures it protects into dramatic relief. Crowns of gold leaves. ...

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A writer’s solitary choice

The Bookends column of The New York Times Book Review – which each week poses a provocative question that two writers then answer in essay form, often offering diametrically opposed viewpoints – had a goodie for Thanksgiving weekend:  “Are domestic responsibilities at odds with becoming a great artist?” 

It’s a question I’ve wrestled with periodically but particularly at holiday time when gathering with married family members makes me acutely aware of my singleton status. I often suspect that the invitations are accompanied by a tacit, “Poor thing, what else would she do, where else would she go?” as much as by a genuine desire to see me. And, indeed, if this were the 19th-century such a woman would be an object of pity, Jane Austen notwithstanding. ...

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