Free to be you, me – and someone else

October 8, 2016

Culture vulture that I am, I somehow missed the cultural appropriation wars that have erupted. That’s what you get for going on vacation and unplugging.

First, novelist Lionel Shriver apparently set off a firestorm at the Brisbane Writer’s Festival with a defense of artists using other people’s races, ethnicities, sexualities, etc. in their creations. Then Claudio Gatti outed the comfortable Roman translator Anita Raja as the author of the pseudonymous Elena Ferrante novels about the friendship between two poor Neapolitan girls.

Meanwhile, Bristol University cancelled a production of Giuseppe Verdi’s “Aida,” because students protested white people playing Egyptians and Ethiopians. ...

9/11, full circle: Clint Eastwood’s ‘Sully’

September 12, 2016

It’s no accident that Warner Bros. released “Sully” on the weekend of 9/11.

The Clint Eastwood thriller – about the 2009 “Miracle on the Hudson,” in which Capt. Chesley “Sully” Sullenberger guided a US Airways airbus, crippled by a bird strike, onto the icy waters of the river, thus saving all 155 souls on board – is 9/11 in reverse or, perhaps, come full circle. Instead of terrorists piloting planes into skyscrapers, Sully (the reliably excellent Tom Hanks), assisted by co-pilot Jeff Skiles (Aaron Eckhart), sought to avert that catastrophe by heading toward the only unobstructed area, the open waters of the Hudson.

It’s giving nothing away, however, to say that the film opens with the alternative scenario. We watch the airbus pierce glass and steel with the sickening feeling that by now is all-too-familiar before we see Sully jolt awake. The alternative scenario is one of his nightmares so it doesn’t have to be ours. It is to Eastwood’s credit as a storyteller – working from a taut screenplay by Tom Komarnicki based on Sullenberger’s book, “Highest Duty” – that we see snatches of the accident and its heroic aftermath many times from many different perspectives before we see it unfold twice in real time. ...

9/11 – a remembrance

September 11, 2016

It was a beautiful day: That’s what I remember thinking. And it’s probably the first thing anyone who is old enough to remember it will tell you about it.

Seamless sky, what pilots call severe clear. Had to be. The men who brought those buildings down didn’t know how to pilot a plane beyond flying straight, so conditions had to be optimal. The day before, Sept. 10, it had rained. The next was a different story.

It had started promisingly enough. I was working on a piece about the 75th anniversary of the Chrysler Building – the favorite landmark of New Yorkers – and had a 7:30 a.m. interview with William Ivey Long, costume designer for the Broadway hit “The Producers,” whose designs for the show included a gown inspired by the building’s diadem top. Long was a terrific interview but soon excused himself for what he said was a busy day. Delighted with his remarks, I wished him joy of it. ...

Adventures in publishing, Washington edition

August 11, 2016

It is a truth universally acknowledged that an author of good fortune – or, let’s face it, no fortune at all – must be in want of an audience. And so I repaired once again, dear readers, to The DC Center for the LGBT Community’s OutWrite Book Festival in Washington, this time to read from my novel “The Penalty for Holding” – about a gay, biracial quarterback’s quest for love in the NFL. It is slated to be published next year by Less Than Three Press.

But this was also a busman’s holiday as well, as I had in mind visiting two exhibits I longed to see – “The Greeks: Agamemnon to Alexander the Great,” at the National Geographic Museum through Oct. 10, and “Will & Jane: Shakespeare, Austen and the Cult of Celebrity,” at the Folger Shakespeare Library through Nov. 6. What is it that the late Nora Ephron said: “Everything is copy”? Everywhere I went reminded me of what it means to be a writer. ...

The hair up there: Trump and the age of transition

July 17, 2016

We live in wondrous, terrifying, complex, fascinating times. In the United States, we are about to embark on two political conventions – the Republican July 18-21 in Cleveland and the Democratic July 25-29 in Philadelphia – that offer productive change and stasis, the future and the past, though not in the ways you might imagine.

The motif of the presidential campaign is that Hillary Clinton, the Democratic presidential nominee, represents the same old-same old inside Washington, while Donald Trump, the Republican presidential nominee, is the fresh, brash outlier. But in fact, we’ve been looking in a mirror, and it’s the opposite. Clinton and the Dems, with their inclusive approach to race, gender and ethnicity, signal the future, and Trump – with his appeal to angry, white, working-class men – the past. ...

Going his way: Sandy Koufax and the other ‘Last Innocents’

June 23, 2016

When I was a child, I raced home one day from school to turn on the TV to see a 20-year-old pitcher who would soon become a favorite, Jim Palmer of the Baltimore Orioles, outduel Sandy Koufax of the Los Angeles Dodgers in Game 2 of the 1966 World Series. It wasn’t even close. Dodger centerfielder Willie Davis lost two fly balls in the October sun and the Dodgers, defending Series’ champ, went down 6-0, losing the series in four straight.

It was the last game Koufax ever pitched for afterward he announced his retirement from baseball, having battled traumatic arthritis along with the drugs that kept it at bay for a number of years. He was just 30 years old. ...

In memoriam: Muhammad Ali (1942 -2016)

June 5, 2016

Kings and presidents die, and nobody cares, Muhammad Ali once said. But Joe Louis died, and everybody cried.

Are they crying now for Muhammad Ali, who died Friday in Scottsdale, Ariz. of complications from Parkinson’s disease? No doubt.

Boxers are perhaps the most poignant of athletes, for in a sense, they absorb the blows for the rest of us. Boxing, the novelist Joyce Carol Oates observed in her nonfiction work, “On Boxing,” is “America’s tragic theater.” ...