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‘The Inteview’ and our obsession with ‘authenticity’

December 19, 2014

So Sony has put the kibosh on “Interview,” the Seth Rogan/Evan Goldberg comedy about bungling American journos attempting to assassinate Kim Jong-un – which, let’s face it, is a lose, lose, lose situation for everyone.

“The bad guys won,” inveterate tweeter Mia Farrow pronounced. But whom is she kidding? No movie theater is going to show a flick that audience members sit through looking over their shoulders – as The Christian Science Monitor shrewdly observes.

Trust me, I know. I went to see “The Dark Knight Rises” with my pal novelist Barbara Nachman shortly after a gunman opened fire at a screening of the movie in a Colorado theater. We spent most of the movie watching every young man who came in or, especially, left and came back. That’s not entertainment.

As with any complex story involving hacking, terrorist threats in a post-9/11 world, freedom of speech and corporate profits, there’s another side to “The Interview” debacle.

What if Rogan and company had simply made the North Korean dictator a fictional character?

Charlie Chaplin did it in “The Great Dictator” (1940), playing both a Jewish everyman through which we see the disastrous circumstances that plunged Europe into two world wars and a certain dictator, one Adenoid Hynkel of Tomainia. Of course, it was Hitler right down to his little moustache. (How any woman ever found him attractive is beyond me.) Of course, it stirred up antifascist sentiments at the time America was not yet in the fight – which was just what Chaplin wanted to do. Still, Chaplin could say, “Any resemblance to persons living or dead,” etc. ...

Knocking Woods

November 22, 2014

The single most interesting thing about Tiger Woods is that his ex-wife once took one of his golf clubs to him.

And the reason that’s the single most interesting about him is that character is destiny.

That the ex-Mrs. Woods took a golf club to his car as he tried to speed away from her five years ago this Thanksgiving after his infidelity came to light says much more about his character than it ever would about hers.

Woods cheated on his then-wife, Elin Nordegren, with a bunch of other women, each of whom, unbelievably, thought she was the only other one. (Ladies, ladies, you know the old saying: If he cheats on his wife with you, what makes you think he won’t cheat on you? And by the way, I have a bridge to sell you.)

At first glance, it’s hard to understand what they saw in him. His is not “the face that launch’d a thousand ships and burnt the topless towers of Ilium.”

But then, as Elizabeth Taylor once shrewdly observed, “there’s no deodorant in life like success.” And few have been more successful than Woods, hitting all those little white balls around all those greens over all those years for all those millions, donning all those green jackets and afterward answering all those questions with responses that promised much and delivered nothing. ...

Alan Turing, gay sex and the real ‘Imitation Game’

November 11, 2014

Thanks to Marshall Fine, critic-in-residence at The Picture House in Pelham, I had the opportunity recently to preview “The Imitation Game,” which has “Oscar nods” written all over it, deservedly so. It’s a superbly crafted film about a story that resonates in our own time, acted with the kind of understated emotion that is the hallmark of British performance by a cast that includes Benedict Cumberbatch (“Sherlock”) and Keira Knightley.

The film, which opens Nov. 28, tells the story of Alan Turing, the mathematician who cracked Germany’s Enigma Code during World War II by creating a machine that was the forerunner of the computer, saving millions of lives in the process (although that, we shall see, was complicated).

Turing was a man ahead of his time in many ways. Today he’d be a gay Bill Gates or Steve Jobs. Instead he was a closeted social misfit – taunted mercilessly at prep school in the savage way that belongs exclusively to children and later prosecuted when his homosexuality was uncovered after the war. Forced to choose chemical castration in lieu of a prison sentence, he committed suicide in 1954 at age 41 – one of 49,000 men prosecuted for homosexual acts in England between 1885 and 1967. In 2013, Turing was pardoned by Queen Elizabeth II – which still implies he did something wrong to begin with. ...

Whose life is it anyway? ‘The Death of Klinghoffer’ and appropriation art

October 26, 2014

A lovely recent lunch with my pal, novelist Barbara Nachman, yielded a provocative conversation about the controversy surrounding John Adams’ opera “The Death of Klinghoffer” and the use – some would say, the exploitation – of other people’s lives in art.

For the uninitiated – and it’s hard to imagine any cultivated human being who is – “Klinghoffer” is the story of the 1985 hijacking of the Italian cruise ship Achille Lauro off the coast of Egypt by four Palestinians demanding the release of 50 compatriots from Israeli prisons in exchange for the ship’s safety. Leon Klinghoffer – a wheelchair-bound Jewish-American passenger celebrating his 36th wedding anniversary with terminally ill wife, Marilyn – was cruelly shot by the hijackers, his body callously thrown overboard. Ultimately, the ship was released and the hijackers were captured by the American military and tried for murder. (The ship, which had an ill-fated history to say the least, sank in 1994.)

Adams’ 1991 opera has been accused of sympathetically portraying the terrorists and thus being anti-Semitic, most recently when it was scheduled to be performed at The Metropolitan Opera and simulcast to theaters worldwide. General manager Peter Gelb’s Solomon-like decision cancelled the HD broadcast while allowing the production to go forward – a decision that has pleased neither critics nor civil libertarians and led to protests at The Met.

My friend Barbara’s objection to the work did not lie chiefly in its potential anti-Semitism or its presentation. Rather she wondered how Adams could create an opera about someone who but for his murder would never have been famous and therefore should not have had his privacy violated. (Klinghoffer’s daughters Ilsa and Lisa have denounced the work for its anti-Semitism and exploitation of their parents.)

Their objections and my friend’s concern raise a fascinating question: “Who’s in a name?,” as Barbara said to me. Why didn’t Adams change the names?

Carry on, Cleo: New exhibit considers the Egyptian queen’s ancestors

October 13, 2014

Thanks to Hollywood (on one end of the spectrum of ludicrousness) and historical revisionism (on the other), there are many misconceptions about Cleopatra.

She was a sex kitten unfurling herself before Julius Caesar, a beautiful siren setting Marc Antony on a collision course with Rome. She was milky white. She was black.

She was nothing of the kind but rather something more complex and far more interesting – a striking if not beautiful, intelligent , commanding woman who managed to attract two of the most powerful men of her time as she balanced two very different cultures. That she could not hold a third culture in the equation was part of her undoing.

Like many great and tragic figures – the sculptor Isamu Noguchi comes to mind but we might also want to throw President Barack Obama into the mix – Cleopatra was part of two worlds. And when you’re part of two worlds, you often end up belonging to neither. She was the last of the Ptolemies, who were in turn the last pharaohs and are the subject of a new exhibit, “When the Greeks Ruled Egypt,” at the Institute for the Study of the Ancient World through Jan. 4. ...

Men – the fairer sex?

October 11, 2014

Boy, nothing gets women piqued faster than telling them that men are the better-looking sex.

I had this conversation with two female friends recently, one of whom skeptically said to me, “Do you really believe that?”

Yes, I do, though perhaps not in the way they might think. Of course, the average woman – with her makeup and her Spanx – might be more gussied up than the average guy. But what I mean is that aesthetically, the best-looking man is better-looking than the best-looking woman, that I would take the Apollo Belvedere over the Venus de Milo any day of the week and twice on Sunday.

Blame it on hormones. Male hormones give them bigger, hotter, lusher, more dangerous looks that read easily across a crowded room. Consider Colin Kaepernick, photographed by Bruce Weber on the cover of the new V Man magazine.

Yeah, yeah, yeah, he has a nose like a toucan, closely cropped hair and lots of tattoos, which displease some of the fashion police.

And yet – wow – those eyes, like Cognac in firelight; those long, thick lashes; that cut jawline (to go with that cut body). Ladies, ladies, do you think a woman could carry those off? ...

Under fire, the NFL thinks pink

October 6, 2014

A shout-out to two former colleagues covering the NFL’s domestic abuse crisis.

Jane McManus of ESPN continues her fine reporting with a piece on the NFL’s addition of more women to the team that will ultimately help clean up this mess. A revelation: Off the Field, the NFL wives organization, is just being included in the discussion now. (Apparently, a first letter from the wives to the league was lost. What a surprise.)

If you’ve been reading this blog, then you know that Jane and I worked together at The Journal News, a Gannett publication. One of our estimable colleagues was longtime religion reporter Gary Stern, who contributed a piece on the entwined lives of NFL commish Roger Goodell and suspended player Ray Rice in the paper’s Oct. 5 edition. ...