Some years ago when I was senior cultural writer for Gannett Inc., I interviewed Donald Trump via email for a story on – wait for it – leadership. Among the questions I asked was why he named the most expensive suite in the Trump Taj Mahal Casino and Resort in Atlantic City, N.J. after Alexander the Great – a passion and study of mine since childhood. His answer was typically Trumpian: “Because he’s the best, and it’s the best.”
I thought of that as I read Richard Conniff’s piece, “Donald Trump and Other Animals,” in the Week in Review section of the Sunday New York Times. In it, Conniff quotes a passage from his “The Natural History of the Rich: A Field Guide” that Trump used in the introduction to his book “Trump: Think Like A Billionaire" ...
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When Donald Trump excused his lewd, explosive conversation with Billy Bush from 2005 as “locker room talk,” my ears pricked up and not just because the gender wars he’s engendered have been such excellent fodder for a blog titled “The Games Men Play.”
In my forthcoming novel “The Penalty for Holding” (Less Than Three Press, 2017), about a gay, biracial quarterback’s quest for identity, acceptance, success and love in the NFL, I have a couple of locker room moments in which women are discussed and even confronted in a less than respectful manner. ...
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Culture vulture that I am, I somehow missed the cultural appropriation wars that have erupted. That’s what you get for going on vacation and unplugging.
First, novelist Lionel Shriver apparently set off a firestorm at the Brisbane Writer’s Festival with a defense of artists using other people’s races, ethnicities, sexualities, etc. in their creations. Then Claudio Gatti outed the comfortable Roman translator Anita Raja as the author of the pseudonymous Elena Ferrante novels about the friendship between two poor Neapolitan girls.
Meanwhile, Bristol University cancelled a production of Giuseppe Verdi’s “Aida,” because students protested white people playing Egyptians and Ethiopians. ...
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Well, this is a first – the F-word, the S-word, the T-word and the P-word in political coverage. It all comes courtesy of the latest Donald Trump revelations – that in a hot-mike conversation with Billy Bush in 2005, Trump admitted to groping women.
I have to admit that I’m inured to his shenanigans by now. There are so many of them that I’ve grown a thick skin. What disturbs me here is not Trump, a lost cause, or the predictable blaming of Bill and Hillary Clinton as philanderer and enabler but the idea that this is just boys-will-be-boys banter. ...
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It’s no accident that Warner Bros. released “Sully” on the weekend of 9/11.
The Clint Eastwood thriller – about the 2009 “Miracle on the Hudson,” in which Capt. Chesley “Sully” Sullenberger guided a US Airways airbus, crippled by a bird strike, onto the icy waters of the river, thus saving all 155 souls on board – is 9/11 in reverse or, perhaps, come full circle. Instead of terrorists piloting planes into skyscrapers, Sully (the reliably excellent Tom Hanks), assisted by co-pilot Jeff Skiles (Aaron Eckhart), sought to avert that catastrophe by heading toward the only unobstructed area, the open waters of the Hudson.
It’s giving nothing away, however, to say that the film opens with the alternative scenario. We watch the airbus pierce glass and steel with the sickening feeling that by now is all-too-familiar before we see Sully jolt awake. The alternative scenario is one of his nightmares so it doesn’t have to be ours. It is to Eastwood’s credit as a storyteller – working from a taut screenplay by Tom Komarnicki based on Sullenberger’s book, “Highest Duty” – that we see snatches of the accident and its heroic aftermath many times from many different perspectives before we see it unfold twice in real time. ...
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The first time I saw the burkini – the controversial swimwear worn primarily by Muslim women, whose ban on French beaches was recently overturned by a French court – I thought, if I wasn’t often so hot, and not in a good way, I would definitely wear one.
Indeed, when I first hit the beach in Bali – the Hindu island of Muslim Indonesia, where everyone lets it all hang out – I was dressed in a one-piece and a sarong, accessorized by a beach umbrella.
I cannot have the sun beating down on my head – I take my daily constitutional with an umbrella or parasol in the warm-weather months – and I don’t want my skin overexposed to Mr. Sun either.
I’m not alone. British chef Nigela Lawson sports a burkini at the beach to shield her fair skin, and the swimsuit has been championed by members of both sexes and several major religions, along with lifeguards in Australia, where it was designed by Lebanese-born Aheda Zanetti. ...
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So The New York Times Magazine’s US Open Special is basically a cover story on bad boy du jour Nick Kyrgios, pictured biting on the cross he wears around his neck and, oh, you can imagine the posts in response – not just about the cross but on Nick in general.
But the cross is an interesting metaphor here. Then Jesus told his disciples, “If anyone would come after me, let him deny himself and take up his cross and follow me. For whoever would save his life will lose it, but whoever loses his life for my sake will find it. For what will it profit a man if he gains the whole world and forfeits his soul? Or what shall a man give in return for his soul?” (Matthew 16: 24-36)
What indeed. ...
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