Paris burning

November 15, 2015

There is a moment in “Casablanca” in which Resistance leader Victor Laszlo (Paul Henreid) – having escaped from a Nazi concentration camp – confronts a group of German officers in Rick’s Café Américain through music. The Germans are loudly, arrogantly singing “Die Wacht am Rhein,” an anthem that has its roots in French-German antagonism, when Victor orders the house band to strike up “La Marseillaise,” the French national anthem, to which club owner Rick Blaine (Humphrey Bogart) acquiesces. One by one the club patrons rise and join in, all but Victor’s wife – and Rick’s former lover – Ilsa Lund (Ingrid Bergman). As the others sing lustily, she sits thinking and marveling at all that has been lost and yet still remains.

It is one of the most moving moments in the history of cinema, one I couldn’t help but flashing on as the City of Light was plunged into the heart of darkness. The fans leaving the Stade de France – where one in a series of coordinated ISIS attacks took place on Friday the 13th – burst into “La Marseillaise.” The exchange students in Manhattan’s Union Square held hands as they sang it that night. And Placido Domingo led The Metropolitan Opera Chorus in it at Lincoln Center Saturday afternoon. It, too, is a symbol of all that has been lost and yet still remains. ...

Playboy unplugged

October 20, 2015

Whenever I was asked about my “walls of inspiration” – which have followed me to each new job, albeit with a changing cast of characters – I always responded that they were a feminist gesture, that I would remove them the day Playboy magazine folded.

Well, Hell has frozen over and I’ll have to remove my men. (Yeah, right. More on that in a bit.) ...

(Madison Square) Garden of earthly delights

September 25, 2015

Pope Francis’ celebration of Mass at Madison Square Garden tonight prompted my friend, sports publicist and blogger John Cirillo, to email me a post on his favorite Garden moments, which got me thinking about my own.

But first, a little history. The Garden, named for President James Madison, really was once a garden – a rooftop garden that was part of an elaborate Moorish-style complex designed by architect Stanford White, who was shot there in 1906 by a crazed Harry Thaw over Thaw’s wife (and White’s former mistress) chorus girl Evelyn Nesbit. (She figures in both E.L. Doctorow’s novel “Ragtime” and the movie “The Girl in the Red Velvet Swing.”) ...

‘Far From the Madding Crowd’ and the games men – and women – play

May 13, 2015

The new film of “Far From the Madding Crowd,” based on the evocative Thomas Hardy novel, has gotten mixed reviews – which is too bad. Directed by Thomas Vinterberg and adapted by David Nicholls, it is a movie of great feeling and equally great subtlety, not an easy combination to come by, with cinematography by Charlotte Bruus Christensen that captures the bucolic moodiness of England’s “Hardy country” and a haunting score by Craig Armstrong that makes excellent use of both the folk and symphonic traditions.

“Madding” is also superbly acted by a cast that conveys the emotional complexity of an independent young woman navigating a man’s world. Bathsheba Everdene (Carey Mulligan) is the woman in question. Poor and orphaned but nonetheless well-educated, she has no inclination to marry. A turn of good fortune (her late uncle leaves her his farm) ensures she won’t have to. But if it’s true, as Jane Austen said ironically, that a single man of good fortune must be in want of a wife, then it’s equally true, as Hardy implies, that a single woman of great beauty must be in need of a husband. Before you can say “The Bachelorette,” Bathsheba’s suitors are lining up. Rising farmer-turned-down-on-his-luck shepherd Gabriel Oak (Matthias Schoenaerts) is first up, with his offer of a pet lamb and a piano. He’s kind, intelligent, spirited and hard-working – a woman’s idea of a man’s man – and since he’s played by sex symbol du jour Schoenaerts, the obvious match for Bathsheba. (Indeed, you don’t have to read past the first chapter of the novel to know this.) But Bathsheba is too young and willful to see it. She’d be happy enough to be a bride, the center of attention, as long as she didn’t have the responsibilities of a wife. That never works. ...

The transgendered nature of art

April 30, 2015

Bruce Jenner’s transition to womanhood and the profile of transgendered model Andreja Pejić in May Vogue have got me thinking about the transgendered nature of art.

Consider Thomas Hardy – whose “Far From the Madding Crowd” has been made into a new film starring Carey Mulligan, the sensual Matthias Schoenaerts and the estimable Michael Sheen. For him to create some of fiction’s greatest romantic heroines, and heroes, he had to understand a woman’s mind and heart as well as that of a man. For George Balanchine to create some of ballet’s finest works, he had to know a woman’s body as intimately as a man’s.

Art has also long been preoccupied with hermaphroditism – the condition of having the physical attributes of both sexes. In ancient Greek mythology, Hermaphroditus – son of Hermes, the messenger god, and Aphrodite, goddess of love and beauty – was a beautiful youth beloved by the water nymph Salmacis, who embraced him against his will in her pool and prayed that the two would become one. ...

The ‘Pretty Woman’ theory of customer relations

April 1, 2015

The hullabaloo over the new crop of RFRAs (Religious Freedom Reformation Acts) raises an interesting question about what we owe ourselves and others in the workplace, a subject that figures prominently in “The Penalty for Holding,” the upcoming second novel in my series “The Games Men Play.”

Granted, the workplace there is the NFL, a far more specialized and glamorous environment than most of us will ever know. But whether you work at the local Starbucks or for an NFL team, the questions ignited by the RFRA debate in Indiana and Arkansas remain the same: To what extent may I impose my personal beliefs on others? To what extent may I find offense in theirs?

The answers are actually simpler than you would think if you keep one thing in mind: A business or a corporation is a public entity, emphasis on the word “public.” If someone plunks down a Ulysses S. Grant on the counter of my bake shop, I owe that person $50 worth of baked goods. Period.

Of course, I should present the baked goods with a smile and a good attitude. I might even offer more in the way of sample cookies on the counter. But I must in any event give value for value, regardless of what I perceived the person to be.

Otherwise, we would spend our days in knots about each person we encounter. Chances are very few people are going to share the same values you hold. ...

Tom Brady, the Roger Federer of football (in more ways than one)

March 2, 2015

It’s football’s off-season. Let the games begin.

First, it was something called “Aaron Rodgers Week” on the NFL Network. (Is that like “Rita Hayworth Week” on Movies.com?). So this engendered an article on whether Tom Brady or Andrew Luck is a better quarterback than Rodgers.

Really, I’m no fan of Brady, but you have to give it to him for leading the New England Patriots to four Super Bowl titles. He’s the greatest quarterback in the game today, just as Roger Federer’s 17 Grand Slam titles make him the greatest tennis player today. Yes, there are other measures of an athlete, and anyone can beat the best on any given day. But it’s hard to argue with the Super Bowl and the Slams as the measures of the players in football and tennis respectively. ...