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He just can’t quit him: Trump, Putin and ‘Brokeback Mountain’

A shout-out to Frank Bruni of The New York Times for a truly terrific column about President Donald J. Trump and Vladimir Putin and the bromance of the century (although French President Emmanuel Macron and Canadian Prime Minister Justin Trudeau may yet give them a run for their money).

Brilliant though the column is in comparing Pump (Putin-Trump) to the great love stories (“Romeo and Juliet,” “Casablanca”), Bruni missed one, “Brokeback Mountain.” When the haunting movie of Annie Proulx’s sparely beautiful story came out in 2005, much was made of the gay love story. ...

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The wayward gaze: Trump and the ‘other’ perspective

It’s interesting – and not entirely coincidental that Mika-gate exploded right at the end of Pride Month and in a summer that has seen the release of “Wonder Woman” and “The Beguiled,” a movie told from the female viewpoint. Culture continues to consider women even if President Donald J. Trump rarely does (though he did take a shine to blond Irish reporter Caitriona Perry.)

That he fails to take a shine to blond journalists who challenge him like Megan Kelly and Mika Brzezinski is more the material point. ...

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‘The Beguiled’: A fox in the henhouse (Beware the hens)

Much has been made about how Sofia Coppola’s “The Beguiled” is a feminist reimagining of a 1971 Clint Eastwood movie that was itself an adaptation of Thomas P. Cullinan’s Southern Gothic novel, “A Painted Devil.” But the well-crafted remake turns out to be less about feminism and the female perspective than about the sacrifice of the individual – male or female – to the survival of the group. ...

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Greg Gianforte, ‘East of Eden’

Occam’s Razor is a philosophical principle attributed to the medieval English Franciscan friar William of Ockham that basically says that the simplest explanation is probably the correct one.

I couldn’t help but think of this with regard to the brouhaha over Montana congressional candidate Greg Gianforte body-slamming the reporter who dared question him about his views on health care. Everyone is up in arms about the disrespect for the First Amendment and the Fourth Estate and I, as a journalist, concur. ...

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Trump and the soundtrack of our lives

What can you say about the past week in Washington D.C. except that God is the best screenwriter. I mean, who else could come up with such a beta-ameloid and tau tangle of plot twists and turns replete with a depth of characters – which is not the same as depth of character.

In the latest scene in our saga, Don Donald Trumpet – cue “The Godfather” theme – had sought an oath of loyalty from would-be consigliere James Comey. But Comey had demurred, necessitating his “termination.” ...

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Resurrection

As Lent ends and the Easter season begins today with Christians celebrating Jesus’ Resurrection, TV has once again presented its share of documentaries and films about Jesus’ Passion.

PBS’ “Last Days of Jesus” offers a detailed consideration of what it meant to die by crucifixion. I now no longer watch such scenes, just as I no longer watch horror movies. “Those of us who have more yesterdays than tomorrows,” as President Bill Clinton put it at the Democratic National Convention this past summer, prefer to dwell on happier circumstances. Not that we eschew suffering. Indeed, the surest way to prolong suffering is the refusal to endure it. It’s just that we no longer feel the need to go out of our way to create or endure needless suffering. ...

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Whose art is it anyway?

The painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.

The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...

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