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‘Darkest Hour’:  a timely tale of courage

Hindsight, they say, is 20/20. If it is, it must be with prescriptive rose-colored glasses. Because the past has been completed – successfully or otherwise – we tend to think of it as having been lived with a foregone conclusion. We forget that at the time, the past was the present, the outcome never assured.

“Darkest Hour” – an inspirational new film directed with subtle tension by Joe Wright (“Pride & Prejudice”) – recounts several weeks in May 1940 when England stood alone in a world on the brink of totalitarianism. It stars a soaring Gary Oldman, virtually unrecognizable ...

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Whose art is it anyway? Harvey Weinstein and the film fan

Among the questions to emerge from the Harvey Weinstein scandal is one that human beings of conscience have been grappling with forever: Is it ethical to support the work of a scoundrel?

At first glance, the answer would appear to be simple: Art transcends biography. You wouldn’t rebuff a child because his father was a murderer, would you? So why hate the brainchild of a Weinstein or a Woody Allen – who, tellingly cautioned about a “witch hunt” against Weinstein – or a Mel Gibson or any other artist/athlete accused of heinous behavior?

But it’s more complex than that, isn’t it? ...

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The good girl and the bad boy: King vs. Riggs in ‘Battle of the Sexes’

There are few more individualistic activities than tennis and few more fiercely individualistic people than tennis players.

“Battle of the Sexes,” which opens Friday, Sept. 22, gives us the iconic clash between two such individuals – tennis star Billie Jean King and former champ Bobby Riggs – in a 1973 match that was both a media event and a cause célèbre in the then-rising women’s movement. (King would win 6-4, 6-3, 6-3.)

At that time, there was no LGBTQ movement, and tennis players did not make the lavish livings they do today. The men were still something of barnstormers earning little more than beer money, and the women – whom they did not necessarily treat well – made squat. ...

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The beauty trap, continued

Amanda Hess’ Sunday New York Times Magazine piece about our ambivalence toward anti-aging is but the latest commentary about the disconnect between ourselves and our bodies, and by “ourselves” I mean women and their bodies. It is a disconnect that affects men as well – though not to the extent that it does women.

Hess describes how Allure magazine has declared war on “anti-aging,” featuring Helen Mirren on the cover, draped in a boy-toy – the same Helen Mirren who played Cleopatra, of whom Shakespeare wrote, “Age cannot wither her nor custom stale her infinite variety.”

And yet, Hess notes, the same issue of Allure carried an ad for the new L’Oréal Paris moisturizer, part of its Age Perfect brand (of which I’m a big fan), featuring – you guessed it, Helen Mirren. ...

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Tennis, everyone

The  qualifying rounds of the US Open are underway at the USTA Billie Jean King National Tennis Center in Flushing Meadows-Corona Park, Queens. The actual tournament – the last of the four Slams – begins with first-round play Monday, Aug. 28. In the meantime, enjoy the game’s stars in a lighter mood at Arthur Ashe Kids’ Day on Saturday, Aug. 26.

On the tournament’s infrastructure front, the big news is the temporary Louie (as in Louis Armstrong Stadium) while the United States Tennis Association readies the new Louie for its Big Apple Bow next year. On the personnel front, a number of big names will be missing this year. ...

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Mooch, Mnuch and that ‘New York state of mind’

One of the many complexities that has come to light in the Ringling Bros. and Barnum & Bailey Circus that is the Trump White House is the supposed New Yorkification of Washington D.C. The two cities have always had an uneasy relationship ever since Alexander Hamilton, perhaps the ultimate New Yorker, and Thomas Jefferson, perhaps the ultimate non-New Yorker, struck a deal that would make Washington the political capital of the country and New York, the financial one.

Even today, this remains an unusual arrangement but one that has worked for the United States. As Ric Burns notes in his superb “New York: A Documentary Film," ...

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‘The undiscovered country’: Oscar Isaacs in ‘Hamlet’

I am a collector of “Hamlets.”

My first stage experience of Shakespeare’s best play occurred when I was 15 and saw the now-defunct American Shakespeare Festival’s production with Brian Bedford in the title role. It was striped tights, codpieces and an emphasis on Hamlet’s friendship with Horatio. I can still see Bedford, whom I would later interview about the part, being carried off the stage at the end – his head thrown back, his long, dark hair cascading. I loved it, though that may not have been my first “Hamlet” experience. ...

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