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The few and the proud

There is such an abysmal spectrum of disrespect and insensitivity these days – from Housing Secretary Ben Carson ignorantly calling slaves “immigrants” to the vicious attacks on Jewish cemeteries – that it’s hard to know what to write about first. Certainly, there’s no shortage of blog material screaming for fresh outrage. But today’s ire must be reserved for Marines United sharing nude photos of women and lewd, derogatory comments on Facebook.

As someone who writes homoerotic novels, I appreciate a nude – especially a male nude – as much as the next person. And I have little interest in what consenting adults do in private. ...

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Trump as metaphor

When I interviewed historian David Starkey about his new documentary and book “The Six Wives of Henry VIII” in 2001, I asked him about the downfall of the most bewitching of the wives, Anne Boleyn (No. 2) How did such a smart Rules Girl lose her head?

Starkey’s response was a shrewd one: What’s attractive in a mistress is often annoying in a wife.

I thought of that as I watched President Donald J. Trump back on the stump as if it were 2020. (God, if only it were.) Not that Trump is any Anne Boleyn. If anything, his outsize ego, multiple wives and sybaritic cruelty are much more reminiscent of Henry. But The Donald is an Anne in this regard: They have proved better at the  pursuit than the prize. ...

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Mary Tyler Moore and feminism, after all

Mary Tyler Moore – who died Wednesday of cardiopulmonary arrest after pneumonia at age 80 – was the Jackie of TV. And like Jacqueline Kennedy Onassis, she road the wave of feminism from chic wife and mother to career woman.

If Laura Petrie on “The Dick Van Dyke Show” was White House Jackie in Capri pants, Mary Richards on “The Mary Tyler Moore Show” was Jackie O, the Doubleday and Viking editor, a sweater draped nattily over her shoulder. But Mary was not only a career woman, she was a certain kind of working woman, one who, unlike Jackie, had to go home and cook and face being alone. ...

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Why women marched

Initially, President Donald J. Trump was confused. Why the Women’s March?, he tweeted. Didn’t we just have an election? (Yes, Mr. President. And here’s the rebuttal. A representative democracy is not a one-and-done deal but more of an ongoing conversation.)

Later, Trump – or his handlers – tweeted that this was democracy at work blah, blah, blah. But he wasn’t alone in wondering: What gives? Why march, particularly in the United States, where women enjoy such a high standard of living?

Some women, presumably Trump supporters, were mystified, too. ...

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Whither the female gaze in the Trump era?

Years ago, I had a dream job with Gannett Inc. as senior cultural writer. One of my beats was to cover the big arts stories of the day and so it was that I found myself on one occasion interviewing Richard Cragun the American-born star of the Stuttgart Ballet and one of the finest male dancers of the 20th century.

In those days, Gannett recycled our stories in its many publications, and my Cragun piece found its way into one of the tabloids overseen by a favorite editor who was fond of the Daily News and New York Post. It was with some sheepishness then that I handed the publicist a copy of the publication with the words “Ballet Hunk” in the headlines. I needn’t have worried. He was thrilled.

I covered most of the great “ballet hunks” of the 20th and early-21st centuries ...

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Reynolds and Fisher’s mother and child reunion

Though I admired Debbie Reynolds’ and Carrie Fisher’s talents, I can’t say that I followed their careers particularly. And yet, the deaths of this mother and daughter – one day apart, the daughter’s, Fisher’s, first on Dec. 27, perhaps causing the mother’s from a broken heart– resonate with me. As the daughter of a glamorous mother who often upstaged me, I got the “Postcards From the Edge” aspect of the Debbie-Carrie relationship. But as the niece of a beloved aunt who raised me and whom I mourn so intently that I just dreamt about her the other night, I also understand the Debbie-Carrie who lived next door to each other.

The mother-daughter bond is perhaps not as fraught as the power struggle between fathers and sons but it is no doubt more intense. At its heart is the quest for control and perfection that is part of each woman’s hypercritical life. But there’s also an intimacy and, yes, a real love as mothers and daughters become neighbors, roommates and  friends. ...

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‘Uneasy lies the head…”: Leadership and ‘The Crown”

Netflix’s “The Crown” – the Brits’ most addictive-as-potato-chips offering since “Downton Abbey” – tells the story of Queen Elizabeth II (Claire Foy) from her days as a happy wife of a dashing naval lieutenant on the isle of Malta through her ascendance to the British throne on the death of her father, George VI.

Like many good narratives, its absorbing juiciness derives from familial tensions – between husbands and wives, mothers and daughters and, especially, siblings. But its real subject is one that plagues the contemporary world and whose  misunderstanding, I fear, will cost the world dearly as it veers toward demagoguery – the nature of leadership. ...

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