A shout-out to Frank Bruni of The New York Times for a truly terrific column about President Donald J. Trump and Vladimir Putin and the bromance of the century (although French President Emmanuel Macron and Canadian Prime Minister Justin Trudeau may yet give them a run for their money).
Brilliant though the column is in comparing Pump (Putin-Trump) to the great love stories (“Romeo and Juliet,” “Casablanca”), Bruni missed one, “Brokeback Mountain.” When the haunting movie of Annie Proulx’s sparely beautiful story came out in 2005, much was made of the gay love story. ...
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It’s interesting – and not entirely coincidental that Mika-gate exploded right at the end of Pride Month and in a summer that has seen the release of “Wonder Woman” and “The Beguiled,” a movie told from the female viewpoint. Culture continues to consider women even if President Donald J. Trump rarely does (though he did take a shine to blond Irish reporter Caitriona Perry.)
That he fails to take a shine to blond journalists who challenge him like Megan Kelly and Mika Brzezinski is more the material point. ...
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Much has been made about how Sofia Coppola’s “The Beguiled” is a feminist reimagining of a 1971 Clint Eastwood movie that was itself an adaptation of Thomas P. Cullinan’s Southern Gothic novel, “A Painted Devil.” But the well-crafted remake turns out to be less about feminism and the female perspective than about the sacrifice of the individual – male or female – to the survival of the group. ...
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It may be the hottest trend today – the so-called strongman as leader. The United States, Russia, Turkey, Syria, the Philippines and North Korea are all led by men who achieved power by being tough on terrorists and other criminals; by vowing to take back or keep their countries for their countrymen, particularly when it comes to jobs; and, most important, by playing on the fear, ignorance and selfishness of their constituents. ...
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The controversy over the faceoff between “Fearless Girl” and “Charging Bull” on Wall Street has raised all sorts of psychosexual and political implications.
Some have seen the 4-foot-girl – hands on hips, chest puffed like a sail heading into the wind – as a symbol of feminist ideals. Apparently, that’s what sponsor State Street Global Advisors, which wants to encourage more women in the boardroom, had in mind. ...
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The painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.
The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...
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A new exhibit at the Japan Society considers a moment in Edo culture (17th through early-19th century Japan) when the wakashū, or beautiful youth, held sway as companions for men and even women.
The New York Times has written about this from the viewpoint of our current transgender controversies, which makes sense since the show, through June 11, is titled “A Third Gender: Beautiful Youths in Japanese Prints.” But I’m more interested in the parallels to ancient Greece and what such practices say about morality seen through the scrim of history. ...
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