God created the world in seven days, the Bible tells us.
It took President Donald Trump only 14 to destroy it.
“Destroy” may be too strong a word. “Disturb,” “disrupt” are better choices. In one of the greatest games men play, politics, he is the lord of misrule, tweeting and executive-ordering us into a new world that may or may not be brave; terrifying the already traumatized “huddled masses yearning to breathe free” and insulting world leaders – with the exception of boy crush Vladimir “Rootin’ Tootin’” Putin – in equal stead.
Australians, refugees, refugees in Australia – is there anyone who has not been blasted by Trumpet? ...
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“Something there is that doesn’t love a wall,” Robert Frost writes in “Mending Wall” – one of two Frost poems, the other being “The Tuft of Flowers,” that addresses the nature of human relationships. “That sends the frozen-ground-swell under it, and spills the upper boulders in the sun; and makes gaps even two can pass abreast.”
The poem ends with the neighbor telling the poet famously, “Good fences make good neighbors.”
Well, they certainly make resentful ones. This has been a week of walls, literal and metaphoric, courtesy of President Donald J. Trump. There is the actual, proposed wall between Mexico and the United States whose cost would be covered by a tariff on Mexican imports like avocados. (Oh, no, whither Cinco de Mayo?) To say that Mexico is not taking this well is the understatement of 10 lifetimes. El Presidente Enrique Peña Nieto – not exactly the most popular man south of the border – nonetheless got a boost at home after he cancelled his meeting with Trump, though the two have since spoken by phone. ...
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I was a selfish child. Make that a self-centered child marked by a self-possession that I wore as a kind of armor against difficult parents and, later, other difficult authority figures. When I was 13, I had a teacher who told us students that selfishness was the root of all evil, the vice from which all others emanate. (She herself was a horror who should’ve practiced what she preached.)
But there is a fine line, I understood, between selfishness and self-possession in service of self-preservation. Recently, one of the columnists I edit wrote a piece in which he observed that there’s a reason that airlines ask you to put on your own oxygen mask first in case of an emergency: You cannot help others if you yourself are in harm’s way.
Which brings us to the new era – actually the cyclical era – of America First. ...
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Years ago, I had a dream job with Gannett Inc. as senior cultural writer. One of my beats was to cover the big arts stories of the day and so it was that I found myself on one occasion interviewing Richard Cragun the American-born star of the Stuttgart Ballet and one of the finest male dancers of the 20th century.
In those days, Gannett recycled our stories in its many publications, and my Cragun piece found its way into one of the tabloids overseen by a favorite editor who was fond of the Daily News and New York Post. It was with some sheepishness then that I handed the publicist a copy of the publication with the words “Ballet Hunk” in the headlines. I needn’t have worried. He was thrilled.
I covered most of the great “ballet hunks” of the 20th and early-21st centuries ...
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Netflix’s “The Crown” – the Brits’ most addictive-as-potato-chips offering since “Downton Abbey” – tells the story of Queen Elizabeth II (Claire Foy) from her days as a happy wife of a dashing naval lieutenant on the isle of Malta through her ascendance to the British throne on the death of her father, George VI.
Like many good narratives, its absorbing juiciness derives from familial tensions – between husbands and wives, mothers and daughters and, especially, siblings. But its real subject is one that plagues the contemporary world and whose misunderstanding, I fear, will cost the world dearly as it veers toward demagoguery – the nature of leadership. ...
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With the recent death of Fidel Castro – and the return of “The Hollow Crown” series to PBS, based on Shakespeare’s Henry and Richard histories – my thoughts turn to Vergina, the highlight of My Big Fat Greek Odyssey and a place were leaders were made and unmade.
It was here in the ancient capital of Aigai that Philip II was assassinated on his daughter Cleopatra’s wedding day in a kind of “Godfather” moment. It was here that his son and Cleopatra’s full brother, Alexander, became king. And it was here that the ancient burial mounds of kings of Macedon were unearthed by archaeologist Manolis Andronokis in 1977.
Today, a museum sits on the site, with another coming. We arrived on a rainy morning and were immediately delivered into a world that is overwhelming. This is a dark space that throws the treasures it protects into dramatic relief. Crowns of gold leaves. ...
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"Behind every great man is a great woman”: It’s an adage that’s been brought home to in our postfeminist age. Witness the apotheosis of Michelle Obama on the cover of the current Vogue and the new “Jackie,” with Natalie Portman transcendent as the tragic former first lady.
Indeed, her Jacqueline B. Kennedy and Jackie herself are better than director Pablo Larrain’s “Jackie.” For one thing, the movie’s music, no doubt intended to strike a discordant note, is merely jarring. It underscores other false notes. Why is the boy who plays John F. Kennedy Jr. a blond? And why does Peter Sarsgaard’s Robert F. Kennedy fail to speak with his distinctive broad Boston cadence, particularly when Portman’s Jackie speaks in her signature breathy New Yorkese? And why do we see her not once but twice in a red gown when she mainly favored white and pastel formal wear?
Perhaps this is quibbling. What “Jackie” and Portman’s Jackie do very well is locate her grief and then show us how she cycles through it, reinventing her husband, his presidency – and, thus, herself – in what remains in some ways a pyrrhic victory. ...
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