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No bull: ‘Fearless Girl’s’ ancient Greek evocation

The controversy over the faceoff between “Fearless Girl” and “Charging Bull” on Wall Street has raised all sorts of psychosexual and political implications.

Some have seen the 4-foot-girl – hands on hips, chest puffed like a sail heading into the wind – as a symbol of feminist ideals. Apparently, that’s what sponsor State Street Global Advisors, which wants to encourage more women in the boardroom, had in mind. ...

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Resurrection

As Lent ends and the Easter season begins today with Christians celebrating Jesus’ Resurrection, TV has once again presented its share of documentaries and films about Jesus’ Passion.

PBS’ “Last Days of Jesus” offers a detailed consideration of what it meant to die by crucifixion. I now no longer watch such scenes, just as I no longer watch horror movies. “Those of us who have more yesterdays than tomorrows,” as President Bill Clinton put it at the Democratic National Convention this past summer, prefer to dwell on happier circumstances. Not that we eschew suffering. Indeed, the surest way to prolong suffering is the refusal to endure it. It’s just that we no longer feel the need to go out of our way to create or endure needless suffering. ...

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The Nazi meme and the dumbing down of America

White House Press Secretary Sean Spicer has apologized for saying that Adolf Hitler didn’t gas his own people and, presumably, for adding that Hitler did bring them into the “Holocaust centers” – you know, the death camps with those nifty gift shops.

Spicer, of course, was awkwardly trying to set up one of the standard ploys of his boss, President Donald J. Trump, which is to throw someone under the bus by comparing that person to someone else who represents abject evil. Apparently, Trumpet has decided that Vladdie Rootin’ Tootin’ Putin’s sell-by date has arrived and thus needs to blame Russia for backing Syrian President Bashar al-Assad, who has been roundly condemned for using chemical weapons on his people. ...

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Whose art is it anyway?

The painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.

The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...

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The problem of the beautiful youth

A new exhibit at the Japan Society considers a moment in Edo culture (17th through early-19th century Japan) when the wakashū, or beautiful youth, held sway as companions for men and even women.

The New York Times has written about this from the viewpoint of our current transgender controversies, which makes sense since the show, through June 11, is titled “A Third Gender: Beautiful Youths in Japanese Prints.” But I’m more interested in the parallels to ancient Greece and what such practices say about morality seen through the scrim of history. ...

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Trump, rape and the demonization of ‘the other’

In the Another-Country-Heard-From Department, Sweden was upset by President Donald J. Trump’s remarks at a campaign rally that implied the country had suffered an attack recently related to a refugee/immigration problem. (Gee, Australia, Mexico, Sweden – three countries down and only 193 left to go.)

"We've got to keep our country safe," he said. "You look at what's happening in Germany. You look at what's happening last night in Sweden. Sweden, who would believe this? Sweden.”

Despite the president’s problems with tenses, he was actually referring to a Fox News report Feb. 17 on an Ami Horowitz documentary that links refugees in Sweden to an increase in violent crimes – a correlation that has been debunked. ...

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Trump as metaphor

When I interviewed historian David Starkey about his new documentary and book “The Six Wives of Henry VIII” in 2001, I asked him about the downfall of the most bewitching of the wives, Anne Boleyn (No. 2) How did such a smart Rules Girl lose her head?

Starkey’s response was a shrewd one: What’s attractive in a mistress is often annoying in a wife.

I thought of that as I watched President Donald J. Trump back on the stump as if it were 2020. (God, if only it were.) Not that Trump is any Anne Boleyn. If anything, his outsize ego, multiple wives and sybaritic cruelty are much more reminiscent of Henry. But The Donald is an Anne in this regard: They have proved better at the  pursuit than the prize. ...

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