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Whither Rafael Nadal?

Another Wimbledon, another Rafael Nadal loss in the early rounds to a low-ranked serve-and-volleyer who’s destined to be a trivia answer in the Who did Rafa lose to? category. Dustin Brown this year, Nick Kyrgios the year before, Steve Darcis the year before that and Lukas Rosol the year before that. Except for Kyrgios, who has a mouth on him, none of these players is ever going to be a champ.

But Rafa is – was. What has happened to him? Is it age? (He’s 29 but then, Roger Federer’s 33.) His very physical game? A new racket? Loss of confidence and his famous mental toughness? All of the above? ...

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The New York Times’ Fed love

What’s with The New York Times’ love affair with Roger Federer?

“Against the odds, Federer bids for an eighth Wimbledon title,” the paper noted in a headline on the eve of Wimbledon’s opening.  The article was accompanied by a photograph of Feddy winning in 2007. For the Grey Lady, time stopped in 2007. Honestly, it’s as if The Times were Anna Wintour.

Unfortunately, for Fed, The Times and Anna, along came Rafael Nadal, Novak Djokovic and Andy Murray, who proved to be Fed’s real rivals, not merely his opponents. In a sense, however, they came along too late. ...

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Tennis, everyone

Just in time for Wimbledon (June 29 through July 12), teNeues offers “The Stylish Life: Tennis,” a new coffee table book that ranges over the art, fashion and personalities of the modern game that began in the late 19th century. It’s a book that had me at the back cover.

The photograph (also reproduced opposite the Table of Contents) depicts the green tennis courts of Italy’s Il San Pietro di Positano resort spilling onto the jagged, pristine blue Amalfi Coast. That photograph and the reproduction of a Roger Broders poster circa 1930, with its clay courts tumbling onto a periwinkle Mediterranean Sea in Monte Carlo, are precisely what I imagined in “Water Music,” my debut novel, when my athlete-heroes vacation on the island of Mykonos. ...

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Cover me: American Pharoah and the search for authenticity

What Anna wants, Anna gets – particularly when it comes to a sleek, gorgeous, well-muscled male.

And what Anna Wintour, Condé Nast creative director and Vogue editor, wants right now is American Pharoah.

Ahmed Zayat, who has pledged that the Pharoah will belong to the American people, has told Bloodhorse, which covers the Thoroughbred industry, that AP will grace the cover of the next issue of the fashion bible.

"We are breaking new territory," Zayat, who operates his family's Zayat Stables, said June 10 in a podcast interview with Bloodhorse.com.

I’ll say. Anna has featured some studs in her day – Tim Tebow (shirtless), Colin Kaepernick, her fave Roger Federer, Rafael Nadal, Novak Djokovic (Speedo), Ryan Lochte (cover, with Serena Williams and Hope Solo at the beach). Now she has a soon-to-be real stud. ...

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A wide-open French Open

Who will it be? The once and future king (Rafael Nadal) or the kid bro all grown up and in the driver’s seat (Novak Djokovic)? The maestro (Roger Federer) or the Murrah (Andy Murray)?

One of the new guys perhaps – the teen dream (Borna Coric) or the princes in waiting (Kei Nishikori, Nick Kyrgios, Grigor Dimitrov)? Or will one of the vets (Tomas Berdych, Marin Cilic, David Ferrer) flash the old brilliance?

This year the French Open, which starts Sunday, May 24 and ends Sunday, June 7, is both Novak Djokovic’s to lose and anybody’s guess. There are several factors at play here.

Nine-time winner Rafa is seeded only sixth, thanks to a dismal season. (He would’ve been seeded seventh but an injured Milos Raonic dropped out.)

Wimbledon seeds according to the player’s performance on the surface (grass), not based on his ranking. So last year Nole was No. 1 even though at the time he was ranked No. 2.

But Wimby is Wimby. The French Open seeds according to the rankings and, even before the draw came out, you just knew that Rafanole – as their rivalry is known – would be renewed. Sure enough, they are set up to meet potentially for the 44th time in the quarterfinals, with one of them set potentially to meet Andy in the semis.

Meanwhile, Feddy would appear to have the easier path to the final but not so fast. There are people on his side of the draw like Berdych, Gael Monfils and even countryman Stan Wawrinka who could prove nettlesome.

So there are lots of questions:

Can Andy continue his sparkling play on clay?

Can Fed continue to dazzle at age 33?

Can Rafa recapture the magic in Roland-Garros, site of nine of his 14 Slam titles? ...

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American Pharoah and Novak Djokovic: Of Thoroughbreds – and Thoroughbred temperaments

And so it begins again, the quest for two of the Holy Grails of sports, as sure signs of spring as cherry blossoms and roses.

American Pharoah will attempt to become only the 12th horse – and the first since my beloved Affirmed in 1978 – to win horse racing’s Triple Crown when he competes at the Belmont Stakes June 6, D Day in more ways than one.

Meanwhile, Novak Djokovic will attempt to unseat nine-time champion Rafael Nadal for the French Open title, which will be contested at Roland-Garros in Paris May 24 through June 7. Should Nole win, he would be halfway to doing what no man – not even Roger Federer – has done since Rod Laver in 1969 and that is win the Grand Slam in a calendar year.

These are pretty big Ifs. Can AP and Nole do it? Of course. They have the talent. But what makes life a horse race is that talent is not enough. You have to have luck, fate, destiny, whatever you want to call it, on your side. And, more important, you – or, in AP’s case, his handlers as well – have got to believe not just that you can win but that you will. And that’s not easy when you’re a Thoroughbred – or have the high temperament of one. ...

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‘Far From the Madding Crowd’ and the games men – and women – play

The new film of “Far From the Madding Crowd,” based on the evocative Thomas Hardy novel, has gotten mixed reviews – which is too bad. Directed by Thomas Vinterberg and adapted by David Nicholls, it is a movie of great feeling and equally great subtlety, not an easy combination to come by, with cinematography by Charlotte Bruus Christensen that captures the bucolic moodiness of England’s “Hardy country” and a haunting score by Craig Armstrong that makes excellent use of both the folk and symphonic traditions.

“Madding” is also superbly acted by a cast that conveys the emotional complexity of  an independent young woman navigating a man’s world. Bathsheba Everdene (Carey Mulligan) is the woman in question. Poor and orphaned but nonetheless well-educated, she has no inclination to marry. A turn of good fortune (her late uncle leaves her his farm) ensures she won’t have to. But if it’s true, as Jane Austen said ironically, that a single man of good fortune must be in want of a wife, then it’s equally true, as Hardy implies, that a single woman of great beauty must be in need of a husband. Before you can say “The Bachelorette,” Bathsheba’s suitors are lining up. Rising farmer-turned-down-on-his-luck shepherd Gabriel Oak (Matthias Schoenaerts) is first up, with his offer of a pet lamb and a piano. He’s kind, intelligent, spirited and hard-working – a woman’s idea of a man’s man – and since he’s played by sex symbol du jour Schoenaerts, the obvious match for Bathsheba. (Indeed, you don’t have to read past the first chapter of the novel to know this.) But Bathsheba is too young and willful to see it. She’d be happy enough to be a bride, the center of attention, as long as she didn’t have the responsibilities of a wife. That never works. ...

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