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Scaling “Brokeback” again

When people ask me to give them the “elevator pitch” for my novel “Water Music,” I always say it’s “‘Brokeback Mountain’ meets ‘Fifty Shades of Grey’” – not because I would equate my book with those works but because it deals with gay lovers and issues of power and submission. Such is our world – with no time for anything – that we must reduce everything to labels, boxes and clichés.

Everyone who writes about gay men in love today owes a debt, however, to Annie Proulx’s sparely beautiful short story about two 1960s cowboys – shepherds really – whose love is doomed by an inability to communicate, by a closeted world and, in a sense, by the all-consuming nature of that love.

Now Proulx’s short story and Ang Lee’s equally haunting film version – starring the late Heath Ledger as Ennis Del Mar, the more constricted of the two lovers, and Jake Gyllenhaal as Jack Twist, the more expressive – have been turned into an opera by Charles Wuorinen, whose atonal style would seem pitch-perfect for Proulx’s Heminway-esque writing. (She contributed the libretto for the work, which premieres Jan. 28 and runs through Feb. 11 at the Teatro Real in Madrid.) Read more

 

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Is gay the new black?

Recently, I was giving someone a pitch about my new, gay-themed novel, “Water Music,” which bowed last week – a pitch that I sometimes end defensively with, “Well, it’s not for everyone.” (I really must learn to stop demurring like that.)

Or maybe not, because when I say that, my listeners often respond as this man did: “I’m not so sure about that. I think it’s an idea whose time has come.”

This week seems to have confirmed that. HBO has a new series, “Looking,” about gay men searching for love in San Francisco. Unlike Showtime’s “Queer as Folk” (2000-05) – which was, let’s face it, all about hot guys (and women) having hot sex – “this show is at such a time when suddenly gay people can conform to heterosexual blueprints of how to live,” out actor and “Looking” star Russell Tovey told the Sunday New York Times (Jan. 19). “You can get married, you can have kids, you can have joint mortgages, you’re recognized as next of kin, which is all fresh.”

Tovey, who’s actually made a career of playing straight guys (the athlete Rudge in “The History Boys”), stars as a closeted footballer – soccer player to us in the U.S.– in John Donnelly’s play “The Pass” in London.

So is gay the new black – in more ways than one? Is Ellen DeGeneres, who’ll host the Oscars again (March 2), the new Oprah? Read more

 

 

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Lit by lightning

I’m reading “Divine Fury: A History of Genius” (Basic Books, $29.99, 312 pages), which is just the kind of  book I like – one in which the author takes the intellectual ball and runs with it. Darrin M. McMahon must be good at it. He also wrote “Happiness: A History.”

Genius, as he notes in his introduction, has meant many things to many different times. The word comes from the Latin, but the Romans, who cannibalized Greek culture, were really borrowing from the Greek “daimon.” Your daimon was – is – your guiding spirit, the link to the divine. Indeed, “Daimon” is the title of my unpublished novel about Alexander the Great, who like the Emperor Augustus and a host of ancient luminaries saw his daimon – his genius – as proof of his divinity. It wasn’t until the 18th century that we got the modern definition of genius as extraordinary creativity and accomplishment and not until the 20th century that we got the IQ tests that sought to quantify it. 

McMahon rounds up the usual suspects... Read more

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