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Michael Sam’s out (of the NFL) – for now

So in the end after all the hoopla, Michael Sam – the first openly gay player in the NFL (almost) – didn’t make the cut with the St. Louis Rams. 

There are just so many ways to look at this. How convenient for the those who can sigh with relief and say, “Hey, we tried but he just wasn’t good enough.” How vindicating for the skeptics, who will say, “He was such a lightweight to begin with. The only reason he got a shot was because he’s gay.”

But how sad for those of us who’d like to see the Sams and the Tim Tebows of the world find their places in the NFL sun regardless of the imperfections of their (still considerable) skills and their sexual or religious persuasions.

Some day, we won’t have to judge people by anything but those skills and what the Rev. Dr. Martin Luther King Jr. called “the content of their character” – which in Sam’s case seems to be class all the way, and which is more than you can say for the Ray Rices of the game. ...

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'Hercules,' part deux

Following a train of thought, I thought I’d expand on the previous post concerning the new movie “Hercules.”

I suppose there is a segment of society that won’t see it – or admit to seeing it. But to me pop culture is culture, too, and thus a starting point for intellectual discussion. Indeed, the film sent me scurrying to my bookshelves for a childhood favorite, Philip E. Slater’s psychoanalytic “The Glory of Hera” (Beacon Press), a book so old that it cost $3.95.  (Actually, it’s not that old. It was published in 1968.)

Slater paints a portrait of a complex character – a man who is at once gay and straight, masculine and feminine, a lover of family and its destroyer, mother-identified and mother-loathing, victim and victimizer, monster and martyr, all-too-human being and transcendent god. Hercules – Heracles in Greek – is all this, because his myth changed as Greece evolved. He is a metaphor then for the birth of a nation. And more...

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The Rock rolls in “Hercules”

"I like the gods,” my friend novelist and movie blogger Barbara Nachman says as we exit the new “Hercules,” starring Dwayne Johnson, aka The Rock, in the title role.

I do, too. The Greek gods were among my childhood companions, offering thrilling stories and transcendence without the guilt trip of modern religion. (A well-known classicist, who shall remain nameless here, once told me she would take the Greek gods over the Abrahamic one any day of the week and twice on Sundays, so to speak.)

This being the age of post-modernism, the gods are nowhere to be found in the new “Hercules,” and that’s too bad, because they’re such an entertaining lot and because the ancient Greeks believed in them – or at least the stories they could spin off of them – so passionately. (Certainly, the Greco-Macedonian conqueror Alexander the Great did. He saw Hercules – Heracles in Greek, Hercules in Latin – as one of his paternal ancestors.)

Making a movie about an ancient Greek legend when you imply that the legend is really part PR campaign, part empowerment exercise, well, it doesn’t quite cut it, does it?

Otherwise, the new “Herc” is a not-bad movie that fits...

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Your life, my book… or Here’s to you, Ms. Robinson... or Throwing Anna under the train (again)

From a provocative piece by Roxana Robinson in The New York Times’ Sunday Review (June 29) on a subject that has haunted me since I became a self-published novelist:

“Fiction writers aren’t in this for the money, since most of us don’t make any,” she writes. “So what are we doing, messing about in other people’s lives?”

What indeed? Robinson’s novel “Sparta” is about a young male Marine – and while most of the vets she’s heard from have been supportive, one reminded her that she’s never been in combat and knows nothing about it. Just as a few readers have asked me, Whatever would possess you to write from a gay man’s viewpoint in “Water Music”?

Robinson has my stock comeback, Leo Tolstoy’s “Anna Karenina"...

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Is new PBS series a ‘Vicious’ stereotype?

In the show “Vicious,” which bows on PBS Sunday, June 29, Sir Derek Jacobi and Sir Ian McKellen play two bitchy old queens, for want of a better description – indeed the Britcom was originally titled “Vicious Old Queens” – who’ve been lovers for 50 years.

Both are among the greatest actors of this or any century and long out of the closet. And the series was picked up in its native England for a second season. But some critics complained – and some here wonder – whether it plays into gay stereotypes, or whether we’re all too sensitive to political correctness.

“It’s actually a sign that we’ve all matured, and now it’s perfectly respectable to have an exaggerated, farcical representation of two people who are gay,” McKellen said in Dave Itzkoff’s piece for the June 29 New York Times’ Arts & Leisure section. “And for us to accept that they can be figures of fun, just in the same way as a farce about straight people would be.”

Maybe so, but I asked myself...

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Creative writing and the voice (and movie) in my head

A new German study on brain activity during creative writing has got me thinking about one of the great intellectual mysteries: How do you write? How do I write?

It’s something that’s difficult to teach – one of the many reasons I’m not a teacher – and impossible to portray. Think about it: Movies about writers (“All The President’s Men,” “The End of the Affair”) always depict them in the throws of action or passion – which leaves very little time for writing.

In the study, Martin Lotze and his University of Greifswald team conducted brain scans while reclining subjects wrote on a propped-up writing desk. (The scanner’s magnetic field would’ve sent a computer flying.)

The novice writers showed more activity in the visual centers of the brain, while the experienced writers – who were also asked to copy some text and then riff on a short story – demonstrated more action in the speech areas. This led Lotze to conclude that the novice writers were watching their stories play out like movies while the experience writers were narrating them as if hearing an inner voice.

OK, that stopped me cold, because one of the great pleasures I’ve had since childhood is watching my stories on my brain’s big screen, and I’ve been writing fiction since I was 9...

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Do sports put women at a disadvantage?

A recent story in The New York Times about women missing out at the workplace, because they know less about that ultimate water-cooler subject – sports – comes at a time when Andy Murray has caused a stir at Wimbledon with his new female coach, former French star Amélie Mauresmo.

Reaction has ranged from the supportive (Maria Sharapova) to the cautious (Novak Djokovic) to the sexist (Ernst Gulblis, who said, “I am waiting for a couple of good-looking players to also quit so I can have a new coach.” Ernst, stop splitting your infinitives.

At least Ernst was, well, earnest. At Sarah Lawrence College’s recent “Publish and Promote Your Book Conference,” the reaction to my series “The Games Men Play” included the typical, “So, you’re into sports.” And it’s not said as “So – you’re into sports!” but rather with a quizzical, skeptical tone. I then find myself explaining that as a former senior cultural writer for Gannett Inc. and now editor of WAG, I’ve always had to be interested in culture with a capital “C,” which goes way beyond...

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