Aaron Hamburger, the short story writer and novelist, begins his laudatory review of Garth Greenwell’s “rich, important” debut novel “What Belongs To You” in the Jan. 31 edition of The New York Times Book Review by indulging in a remembrance of a review past.
He recalls John Updike’s 1999 New Yorker piece on Alan Hollinghurst’s novel “The Spell,” in which Updike – who wrote many sexy novels – complained that Hollinghurst’s “relentlessly gay” fiction bored him because “nothing is at stake but self-gratification.” “What Belongs To You,” Hamburger writes, provides the “ringing” retort to Updike’s complaint.
I suspect that Updike may have been not only bored, though, but frightened and even repulsed. For gay fiction, like gay sex, presupposes the male as love object. And that might’ve been an uncomfortable exploration for the alpha male who wrote the “Rabbit” series and “The Witches of Eastwick.” ...
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At first glance, Carrie Fisher, a contemporary actress and author, and St. Teresa of Ávila, a 17th century philosopher, abbess and mystic, wouldn’t appear to have much in common (even though Fisher was reportedly a script doctor on “Sister Act”).
But the two both wound up in the particularly meaty Jan. 10 edition of The New York Times’ Week in Review as unwitting examples of how far women still have to go when it comes to being defined by men, particularly where their looks are concerned.
Fisher, who reprises her role as Princess Leia in “Star Wars: The Force Awakens,” found herself embroiled in an Internet brouhaha in which posters were unable to forgive the princess for aging – as if the Web were a particularly petulant Peter Pan. This prompted novelist Jennifer Weiner to write a piece in which she opined that we all need to let it go, including that endlessly self-improving Weight Watchers’ investor, Oprah. ...
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We continue looking back – and ahead – with the top stories covered by this blog in 2015. In the last post, I considered the top sports stories. Now I explore the top cultural events of a tumultuous year:
Pluto rising
It was the summer (OK, July) of the little planet that could as NASA’s New Horizons spacecraft staged an expensive ($700 million) but profitable flyby. “Pluto, still smarting from its demotion to dwarf planet, nonetheless revealed itself to be a complex world, with a polar ice cap, rugged mountains, smooth plains, and reddish patches that recalled the surface of Mars,” Nicola Twilley writes. ...
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The acclaimed new movie “The Danish Girl” – about the artist Einar Wegener, who became the first person to have male-to-female sex reassignment surgery – raises intriguing questions about the nature of art.
Specifically, should a transgender role be played by a transgender actor? (The film stars Eddie Redmayne, who won an Oscar for his performance as Stephen Hawking in “The Theory of Everything” and has been nominated once again for a Golden Globe and a Screen Actors Guild Award for “Girl.”) More broadly, should creative and interpretive artists stick to their own experiences? The latter is a question that I have a vested interest in as the author of the debut novel “Water Music,” about four gay athletes and how their professional rivalries color their personal relationships with one another, and the forthcoming “The Penalty for Holding,” about a gay, biracial quarterback’s search for identity, success, acceptance and love in the NFL. (They’re both part of my series “The Games Men Play.”)
What, I’m often asked, would a woman – and a straight one at that – know about gay sex? ...
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First it was Playboy doing away with nude pinups. Now the 2016 Pirelli calendar has eschewed the naked ladies – well, mostly – for something different, courtesy of photographer Annie Leibovitz.
Think Patti Smith as imagined by John Singer Sargent, Fran Lebowitz as a latter-day Georges Sand and model Natalia Vodianova with her youngest in a pose that despite her bare leggy-ness echoes a Raphael Madonna and Child.
Besides Vodianova, other examples of fleshiness are a topless Serena Williams, back to the camera in a heroic lunge; and Amy Schumer in panties and heels, comfortable with her stomach rolls as she holds a paper cup. ...
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Well, things are heating up on the CW’s “Reign” now that Catherine de’ Medici, the mother-in-law from hell, is back in her son Francis II’s somewhat good graces. Meanwhile, the plot thickens across the Channel as Elizabeth I entertains Don Carlo, heir to Philip II of Spain, as a possible husband – throwing the tortured triangle of herself, her soul mate Robert Dudley and Dudley’s scheming wife Amy into sharp relief along with Elizabeth’s ambivalence toward marriage. Good stuff.
In reality, Don Carlo – the subject of an equally fanciful opera by Verdi, “Don Carlos” – was not the dashing, romantic figure of Verdi or the TV series but a deranged hunchback who may have been killed by his own father, who was in tur once Elizabeth’s brother-in-law, the husband of her sister and predecessor “Bloody Mary” Tudor. And to make things even cozier, Philip ended up marrying Elizabeth Valois, daughter of Catherine de’ Medici and BFF of her sister-in-law, and Francis’ wife, Mary, Queen of Scots. ...
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Whenever I was asked about my “walls of inspiration” – which have followed me to each new job, albeit with a changing cast of characters – I always responded that they were a feminist gesture, that I would remove them the day Playboy magazine folded.
Well, Hell has frozen over and I’ll have to remove my men. (Yeah, right. More on that in a bit.) ...
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