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My big, fat Greek odyssey, Part II: Hello, Thessaloniki

Our Times Journey group of Alexandrians no sooner got acclimated to Athens than it was time to bid the city – and its mesmerizing views of the Acropolis – a brief farewell and head north to Thessaloniki, about an hour’s flight, or the distance between New York and Washington D.C.

Named for a younger half-sister of Alexander the Great – his father, the crafty, lusty Philip II, having loved much but apparently none too well – Thessaloniki is the second largest city in Greece but the main one in the misty, highland Macedonian region that was once Philip’s kingdom.

At Athens International Airport, I scored a small, hefty, well-molded head of the Acropolis Museum Alexander in a gift shop, plus a free copy of the “Greece is….Thessaloniki” magazine, with an Andy Warhol Alexander on the cover, so I was pumped. ...

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Free to be you, me – and someone else

Culture vulture that I am, I somehow missed the cultural appropriation wars that have erupted. That’s what you get for going on vacation and unplugging.

First, novelist Lionel Shriver apparently set off a firestorm at the Brisbane Writer’s Festival with a defense of artists using other people’s races, ethnicities, sexualities, etc. in their creations. Then Claudio Gatti outed the comfortable Roman translator Anita Raja as the author of the pseudonymous Elena Ferrante novels about the friendship between two poor Neapolitan girls. 

Meanwhile, Bristol University cancelled a production of Giuseppe Verdi’s “Aida,” because students protested white people playing Egyptians and Ethiopians. ...

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My big fat Greek odyssey, Part I: Arriving in Athens

Even casual readers of this blog will have surmised my passion for the Greeks in general and Alexander the Great in particular. So when I saw an ad for Times Journeys’ “The Legacy of Alexander the Great” tour on the back page of The New York Times one late winter day and learned that there was one single room left for the late summer voyage, I jumped at the chance.

Not. Even though it was Alexander, I kept finding excuses. Work, home, fear of flying, money, did I mention work? Besides, I needed the money to self-publish the second book in my series, “The Games Men Play.” I needed a sign. Then I got one in the form of a contract for the book. ...

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Adventures in publishing, Washington edition

It is a truth universally acknowledged that an author of good fortune – or, let’s face it, no fortune at all – must be in want of an audience. And so I repaired once again, dear readers, to The DC Center for the LGBT Community’s OutWrite Book Festival in Washington, this time to read from my novel “The Penalty for Holding” – about a gay, biracial quarterback’s quest for love in the NFL. It is slated to be published next year by Less Than Three Press.

But this was also a busman’s holiday as well, as I had in mind visiting two exhibits I longed to see – “The Greeks: Agamemnon to Alexander the Great,” at the National Geographic Museum through Oct. 10, and “Will & Jane: Shakespeare, Austen and the Cult of Celebrity,” at the Folger Shakespeare Library through Nov. 6. What is it that the late Nora Ephron said: “Everything is copy”? Everywhere I went reminded me of what it means to be a writer. ...

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Seems like old times with Phelpte

Michael Phelps won his 21st gold medal and the U.S. men’s swimming team took its fourth consecutive gold in the 4-x-200 meter relay Tuesday in Rio de Janeiro. In all four relays, the common denominator was Phelps and longtime teammate and rival Ryan Lochte. He and Phelps swam the third and anchor legs respectively. They are now the grand old men of swimming at 32 and 31. Seems like only yesterday they were teenagers crowned in laurel and giggling on the podium in Athens.

Phelps, who’s had his share of problems with alcohol, has a newfound maturity with fiancée Nicole Johnson and baby Boomer (so adorable). Some things, however, never change. Lochte, noted for his, shall we say, striking sartorial choices, dyed his hair ice-blue for the Rio Games. Instead it looks platinum.

Why do thoroughly gorgeous people tamper with Greco-Roman beauty?

 

 

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Alex and Athena take Manhattan

In WAG’s June “Celebrating the Globe” issue, I wrote about my passion – OK, some would say my obsession – with all things ancient Greek, particularly Alexander the Great, the Greco-Macedonian king whose conquest of the Persian Empire in 331 B.C. when he was in his mid-20s would lead to the dissemination of Greek culture in the East, underscoring a cultural cross-pollination and political tension that are still with us today.

Recently, The Metropolitan Museum of Art in Manhattan explored these themes in its blockbuster exhibit “Pergamon and the Hellenistic Kingdoms of the Ancient World,” which I also wrote about in our June issue and which featured a kind of greatest hits of the Hellenistic (post-classical Greek) world. ...

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Greek to me: Met opens “Pergamon,” unprecedented Hellenistic show

“So,” a publicist at The Metropolitan Museum of Art asked teasingly, “are there enough Alexanders for you?”

She knows me only too well. Lover of the ancient Greeks that I am, there can never be for me enough images of Alexander the Great – the Greco-Macedonian king whose conquest of the Persian Empire in 331 B.C. ushered in 300 years of Hellenism (Greek culture) in Asia, reversing the course of cultural influence from East-West to West-East, and underscoring a tension between East and West that is still with us.

And yet, there I was in the first gallery of “Pergamon and the Hellenistic Kingdoms of the Ancient World” (April 18 through July 17), surrounded by Alexanders. ...

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