Netflix’s “The Crown” – the Brits’ most addictive-as-potato-chips offering since “Downton Abbey” – tells the story of Queen Elizabeth II (Claire Foy) from her days as a happy wife of a dashing naval lieutenant on the isle of Malta through her ascendance to the British throne on the death of her father, George VI.
Like many good narratives, its absorbing juiciness derives from familial tensions – between husbands and wives, mothers and daughters and, especially, siblings. But its real subject is one that plagues the contemporary world and whose misunderstanding, I fear, will cost the world dearly as it veers toward demagoguery – the nature of leadership. ...
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Once again, I present my annual Christmas post:
For years on Christmas when my beloved Aunt Mary was alive, I would read aloud a portion of John Milton’s “Hymn on the Morning of Christ’s Nativity” from “Greece in Poetry,” edited by Simoni Zafiropoulos (Harry N. Abrams Inc.). It was my tradition, and, since her death in 2011, I’ve shared it at Christmastide on whatever blog I’ve written.
I share it with you now as a reminder that everyone’s sunrise is someone else’s sunset and that Jesus came into the world as the new Apollo – not a mercurial god of the sun but a compassionate God of light.
Merry Christmas. ...
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I have always loved to work. Schoolwork, housework, work-work: I’ve loved it all, perhaps because I’m an accomplishment junkie, and few things measure achievement better than work. You can take pride in your children – as the Earl of Grantham says at the end of “Downton Abbey” when – spoiler alert – Lady Edith finally gets hitched. But then he wonders why he feels a sense of achievement in her marriage. Precisely. A relationship is a state of being, not doing. You can mother someone. But more likely, you say, I am a mother to him.
Work, which is all about doing, is under siege right now in America. It is no doubt the primary reason Donald Trump is the president-elect, just confirmed by the Electoral College. Overworked, underpaid – undervalued – with increasingly fewer perks and increasingly expensive benefits, the American worker has said, “Enough,” we are told. ...
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If you’re a lover of storytelling – as any writer is – the Russian hacking scandal is a great story.
And like any great story, it’s filled with conflict, complexity, intrigue and ambiguity. Just about the only thing everyone agrees on – sort of – is that the Democrats were hacked by the Russians. This is not news. We heard about it all during the campaign, when Donald Trump alternately debunked or doubted it.
What is new is that the CIA has concluded that the Russians did this deliberately to aid Trump. Sens. John McCain and Lindsey Graham have vowed to investigate, because if there’s one thing Congress hates – even more than cooperating with President Barack Obama, who has called for a full investigation – is Ruskies, especially Ruskies led by Vladimir “Rootin’ Tootin’” Putin. ...
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The devil, they say, is in the details. And so it proved recently as I found myself serving and volleying furiously in a conversation with my Republican uncle about Barack Obama and Donald Trump. (If this had been a tennis match, it would’ve been John McEnroe and Ilie Nastase circa 1979, Madison Square Garden – don’t ask.)
Normally, I am the soul of forbearance with said uncle, who is elderly and served in the Korean Conflict – as he often reminds me. And I have a high tolerance for personal insults, being a confident person and having spent more than 35 years in a newsroom. But when someone I love or admire is attacked, my back is up. Uncle disparaged the current president, and we were off, shouting and talking over each other like a particularly maniacal Eleanor Clift and Pat Buchanan on the late, lamented “The McLaughlin Group.” (The idiosyncratic political round table was even funnier than its “Saturday Night Live” sendup.)
Late into the dustup with Uncle, he delivered what he no doubt thought was the coup de grace: The outfit I wore to the family’s Thanksgiving gathering made me look like a bag lady. ...
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With the recent death of Fidel Castro – and the return of “The Hollow Crown” series to PBS, based on Shakespeare’s Henry and Richard histories – my thoughts turn to Vergina, the highlight of My Big Fat Greek Odyssey and a place were leaders were made and unmade.
It was here in the ancient capital of Aigai that Philip II was assassinated on his daughter Cleopatra’s wedding day in a kind of “Godfather” moment. It was here that his son and Cleopatra’s full brother, Alexander, became king. And it was here that the ancient burial mounds of kings of Macedon were unearthed by archaeologist Manolis Andronokis in 1977.
Today, a museum sits on the site, with another coming. We arrived on a rainy morning and were immediately delivered into a world that is overwhelming. This is a dark space that throws the treasures it protects into dramatic relief. Crowns of gold leaves. ...
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"Behind every great man is a great woman”: It’s an adage that’s been brought home to in our postfeminist age. Witness the apotheosis of Michelle Obama on the cover of the current Vogue and the new “Jackie,” with Natalie Portman transcendent as the tragic former first lady.
Indeed, her Jacqueline B. Kennedy and Jackie herself are better than director Pablo Larrain’s “Jackie.” For one thing, the movie’s music, no doubt intended to strike a discordant note, is merely jarring. It underscores other false notes. Why is the boy who plays John F. Kennedy Jr. a blond? And why does Peter Sarsgaard’s Robert F. Kennedy fail to speak with his distinctive broad Boston cadence, particularly when Portman’s Jackie speaks in her signature breathy New Yorkese? And why do we see her not once but twice in a red gown when she mainly favored white and pastel formal wear?
Perhaps this is quibbling. What “Jackie” and Portman’s Jackie do very well is locate her grief and then show us how she cycles through it, reinventing her husband, his presidency – and, thus, herself – in what remains in some ways a pyrrhic victory. ...
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