A life lived at deuce

October 24, 2017

The game of tennis has always served the arts brilliantly.

Combining the elegance of chess and the brutality of boxing – or should that be the brutality of chess and the elegance of boxing? – tennis relies on an individualism that appeals to the writer and a balletic motion that captivates visual artists.

The Roundabout Theatre Company production of Anna Ziegler’s new play “The Last Match” – which opens Tuesday, Oct. 24 at the Harold and Miriam Steinberg Center for Theatre in Manhattan – does not stint on the visual. ...

Whose art is it anyway? Harvey Weinstein and the film fan

October 22, 2017

Among the questions to emerge from the Harvey Weinstein scandal is one that human beings of conscience have been grappling with forever: Is it ethical to support the work of a scoundrel?

At first glance, the answer would appear to be simple: Art transcends biography. You wouldn’t rebuff a child because his father was a murderer, would you? So why hate the brainchild of a Weinstein or a Woody Allen – who, tellingly cautioned about a “witch hunt” against Weinstein – or a Mel Gibson or any other artist/athlete accused of heinous behavior?

But it’s more complex than that, isn’t it? ...

Saying goodbye to UNESCO, again

October 14, 2017

Well, in a week in which President Donald J. Trump decertified the Iran nuclear deal, eliminated subsidies for insurance companies that underwrite poorer Obamacare enrollees and warned Puerto Rico that the federal government can’t buck it up forever, the American withdrawal from UNESCO may seem like small potatoes. But as a longtime cultural writer I noted it with a heavy heart.

As with these other issues, the United Nations Educational, Scientific and Cultural Organization is more complex than it seems. The U.S. helped found it after World War II, but in recent decades has had an off-and-on again relationship with the organization, which is well-known for its significant World Heritage Sites list. ...

The statues of limitations

August 23, 2017

I must confess to a certain smugness as the debate regarding the removal of Confederate statuary has taken on an aesthetic perspective. For years, I have endured the tacit, passive-aggressive notion from some newspaper colleagues and even bosses that my job as a cultural writer was not as important as those of the political and municipal writers and even the sports reporters. (Indeed, I lost that job partly because it was considered of lesser significance.)

But the arts – somewhat like religion and the family – are the refuge of the desperate and the inconsolable. Unfortunately for the arts, they are a refuge that their seekers often do not fully understand.

Some of my colleagues in my present job as an editor wonder about the artistic value that may be lost in the removal of the Confederate statues. No less an art lover than President Donald J. Trump bemoaned “the beauty that is being taken out of our cities, towns and parks.”

But are these works beautiful and, more to the point, are they art? ...

The resistance strikes back

August 19, 2017

“What a week” as “Washington Week” anchor Robert Costa would say. Last Saturday, we saw the worst of America, with neo-Nazis leading to the death of three people at a keep-the-Confederate-statues rally, so-called, in Charlottesville.

But since then the country has rallied around the counter-protest. Democrats and Republicans alike have denounced President Donald J. Trump’s there-was-bad-on-many-sides response to the Charlottesville tragedy. Business CEOs have exited his advisory council and one – James Murdoch, CEO of 21st Century Fox and son of archconservative Rupert – has pledged $1 million to the Anti-Defamation League and has urged his fellow 1-Percenters to do likewise. ...

Mooch, Mnuch and that ‘New York state of mind’

August 1, 2017

One of the many complexities that has come to light in the Ringling Bros. and Barnum & Bailey Circus that is the Trump White House is the supposed New Yorkification of Washington D.C. The two cities have always had an uneasy relationship ever since Alexander Hamilton, perhaps the ultimate New Yorker, and Thomas Jefferson, perhaps the ultimate non-New Yorker, struck a deal that would make Washington the political capital of the country and New York, the financial one.

Even today, this remains an unusual arrangement but one that has worked for the United States. As Ric Burns notes in his superb “New York: A Documentary Film," ...

The wayward gaze: Trump and the ‘other’ perspective

July 6, 2017

It’s interesting – and not entirely coincidental that Mika-gate exploded right at the end of Pride Month and in a summer that has seen the release of “Wonder Woman” and “The Beguiled,” a movie told from the female viewpoint. Culture continues to consider women even if President Donald J. Trump rarely does (though he did take a shine to blond Irish reporter Caitriona Perry.)

That he fails to take a shine to blond journalists who challenge him like Megan Kelly and Mika Brzezinski is more the material point. ...