The continuing Revolving Door Policy of the Trump Administration has thrown the systemic failure of Alexandrian leadership – leadership from the front – into sharp relief.
President Donald J. Trumpet has surrounded himself with Trumpettes – yes-men and, to a lesser extent, yes-women – and distanced himself from the No, No, Nanettes. Which is odd, considering his professed love of chaos. Wouldn’t you want some tension, some conflict? ...
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The fog of war – or of “advising and assisting,” as every student of the Vietnam War knows – is such that the truth of what happened isn’t immediately apparent. What is apparent is that Trump handled the situation’s aftermath with less than Alexandrian leadership, first by not commenting on it for more than a week and ultimately by saying he did not “specifically” authorize it. (Dude, you are the president. You are responsible for everything that happens in your administration.)
Then he got involved in a typically Trumpian tone deaf controversy with Sgt. La David Johnson’s widow, in which he consoled her by saying that this was what her husband “signed up for. But I guess it still hurts.” ...
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I must confess to a certain smugness as the debate regarding the removal of Confederate statuary has taken on an aesthetic perspective. For years, I have endured the tacit, passive-aggressive notion from some newspaper colleagues and even bosses that my job as a cultural writer was not as important as those of the political and municipal writers and even the sports reporters. (Indeed, I lost that job partly because it was considered of lesser significance.)
But the arts – somewhat like religion and the family – are the refuge of the desperate and the inconsolable. Unfortunately for the arts, they are a refuge that their seekers often do not fully understand.
Some of my colleagues in my present job as an editor wonder about the artistic value that may be lost in the removal of the Confederate statues. No less an art lover than President Donald J. Trump bemoaned “the beauty that is being taken out of our cities, towns and parks.”
But are these works beautiful and, more to the point, are they art? ...
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It’s fitting that President Donald J. Trump should address the nation regarding our recommitment to the war in Afghanistan on a day when most of the continental United States saw a total solar eclipse.
Historians would say that Afghanistan has eclipsed all our other wars. Not for nothing is Afghanistan known as “the graveyard of empires.” Certainly, it’s the graveyard of modern empires. The British in the 19th century and early 20th centuries and the Soviets in the 1970s got bogged down in wars there but left without the victor’s laurel wreath. We Americans have been fighting there 17 years, our longest war. ...
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I was planning to riff on novelist Jennifer Weiner’s New York Times piece about the body disconnect and the phenomenon she calls “skinny women eating cheeseburgers in magazines” – and I will in a future post.
But events of the past few days make it impossible to put that on the front burner. How can we talk about our ambivalence toward the body when the body politic is being ripped asunder? ...
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Thursday, July 20 marks the anniversary of the birth of Alexander the Great in 356 B.C. in Pella, the capital of ancient Macedon, now Macedonia, a region in northern Greece.
Alexander has been an obsession of mine since childhood, when I read the legends associated with his conquests of the Persian Empire in 331 B.C. From Alexander, I learned how to navigate difficult parents and how to lead from the front – skills that would later serve me well in grappling with equally challenging bosses. Thanks to Alexander, I learned to work through pain, illness, grief. I figured if he could fight a battle with a punctured lung, I could gut life out. ...
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As Lent ends and the Easter season begins today with Christians celebrating Jesus’ Resurrection, TV has once again presented its share of documentaries and films about Jesus’ Passion.
PBS’ “Last Days of Jesus” offers a detailed consideration of what it meant to die by crucifixion. I now no longer watch such scenes, just as I no longer watch horror movies. “Those of us who have more yesterdays than tomorrows,” as President Bill Clinton put it at the Democratic National Convention this past summer, prefer to dwell on happier circumstances. Not that we eschew suffering. Indeed, the surest way to prolong suffering is the refusal to endure it. It’s just that we no longer feel the need to go out of our way to create or endure needless suffering. ...
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