Every time I think that my novels aren’t relevant, something happens to persuade me otherwise.
No sooner had I discussed the East-versus-West, battle-of-the-sexes theme of the opera “Turandot,” which forms the centerpiece of my new historical thriller “Riddle Me This,” in a spirited seminar at the Greenburgh Public Library on Saturday, March 25, than The New York Times published this story about the bride prices that men in China are paying to families in order to secure one of the fewer women of marriageable age — the result of China’s disastrous one-child policy in the 1980s that selected for boy babies. (In Chinese families, the oldest son is the built-in caretaker for aged parents. So if you could only have one child, it had to be a boy. Girls were aborted or put up for adoption.)
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