‘A night of beauty’…and memories

March 15, 2014

Well, it was a triumph, if I do say so myself. (Not that I’m prejudiced, of course.)

But my “Night of Beauty” at Bloomingdale’s – which featured a reading from my new novel “Water Music” – went, well, swimmingly. It helped that I had an appreciative audience of friends and co-workers and especially my sisters Jana and Gina. My heart leapt when I saw them. You know what a sister is? A sister is someone who comes all the way from Washington D.C. or leaves her event early in Connecticut just to hear you read. Because that’s what sisters do. (Afterward we went out for dinner in the neighborhood and fell into an easy conversation. It never ceases to amaze me that no matter how long we’ve been apart, it’s like we were talking five minutes ago. Because that’s what sisters are.)

“A Night of Beauty” was a night for sisters and the sisterhood of all women.

The sex trap

March 13, 2014

One of the great illusions that some feminists and more than a few sentimental men hold is that women offer a different leadership model than men – that they’re more collaborative and compassionate, building consensus rather than creating chaos.

I’m here to say, You think that if it makes you happy. In a 33-year career, I’ve worked for men and women, and I have to say I prefer working for men.

For one thing, they don’t take everything personally. For another, they have the advantage of millennia of leadership DNA. Women are relatively new to the leadership game, and they often ape men instead of developing their own styles. They think they have to be tough when they really should be strong and so they wind up merely being shrill.

But women have also had the disadvantage of their sex, which they in turn tend to use.

Party with "Water Music"

March 12, 2014

Just a reminder that we’ll be celebrating the publication of “Water Music” with “A Night of Beauty” at Bloomingdale’s in White Plains, N.Y. March 13 6-8 p.m. Join me for a reading, some nibbles and bonding over makeup. Check-in is at 5:30 p.m. For more info or to RSVP, email lorna.simpson@bloomingdales.com.

In “Frozen,” Elsa embraces her magical powers as she sings “Let It Go.”

Are men the hotter sex? Or are women just ‘Frozen’?

March 9, 2014

It’s been a week since the Oscars, but Cate Blanchett’s Best Actress acceptance speech is still trending with me. Or rather, Maureen Dowd’s riff on it is.

Blanchett implied that her Oscar win for “Blue Jasmine” proved that films with women at the center aren’t “niche experiences.” Dowd’s March 5 column “Frozen in a Niche?” demonstrated otherwise:

“The percentage of women directing, writing, producing, editing and shooting films has declined since 1998, according to an analysis of the top 250 grossing films of 2013 by the Center for the Study of Women in Television and Film at San Diego State University. (The anticipated halo effect from Kathryn Bigelow becoming the first woman to win a directing Oscar for 2009’s “The Hurt Locker” never happened.)

“The center’s latest report had some stunning stats: Women accounted for 6 percent of directors, 10 percent of writers, 15 percent of executive producers, 17 percent of editors and 3 percent of cinematographers. And women are still more likely to be working on romantic comedies, dramas or documentaries than the top-grossing, teenage-boy-luring animated, sci-fi and horror movies.”

Sound like a niche to me. Mais pourquoi?

Nole + Andy = Love at the Garden

March 4, 2014

World Tennis Day – which was celebrated March 3 with marquee matchups of past and present stars around the globe – featured something that Andy Murray said we were not likely to see again. He and Novak Djokovic squared off in the “BNP Paribas Showdown,” an exhibition that reminded us what makes tennis and friendship so great.

A tennis exo – as exhibitions are sometimes called – is a bit like a rock concert mixed with a boxing match. There’s smoke (no mirrors). There are lighting effects and an irresistible beat. There’s an announcer who pronounces everyone’s name dramatically.

Jared Leto, the inside man

March 3, 2014

How great was it to see Jared Leto – who left Hollywood to front a band – win the Best Supporting Oscar for his role as a transgender prostitute in “Dallas Buyers Club”? (Actually, the win was sort of a no-brainer. Hollywood loves to reward actors who transform themselves and stories that have their hearts in the right place.)

Leto seems to have his in the right place, too. Of course, there was plenty of Internet snark about his acceptance speech, in which he told the “dreamers” in Ukraine and Venezuela that we were thinking of them. (Apparently, actors aren’t allowed to be human.) I came late to his speech, but I’m glad I caught the end: "This is for the 36 million people out there who have lost the battle to AIDS.” He concluded, “To those of you who have felt injustice because of who you love and who you are, I stand here with you and for you.”’

As he left the stage, host Ellen DeGeneres shook her head and said, “Beautiful.”’

Jared Leto and the bridge of the imagination

March 1, 2014

If you were to ask me – a woman who considers herself to be a great connoisseur of beautiful men – who is the most beautiful man I’ve ever seen, I’d have to say Jared Leto. He is it for me (though Johnny Depp is a close second.) I’m not talking beauty plus brains, personality, character or anything else but just sheer physical beauty. It’s no wonder that Oliver Stone cast him as Hephaestion – the love of Alexander the Great’s life – in “Alexander.”

So naturally, I was delighted to see Leto as the frontrunner for the Best Supporting Actor Oscar March 2 for his role as a transgender prostitute in “Dallas Buyers Club.” And just as distressed to see a fatuous Time magazine piece titled “Don’t Applaud Jared Leto’s Transgender ‘Mammy’,” in which Steve Friess likens Leto’s gender portrayal to the racial cliché of Hattie McDaniel’s Mammy in “Gone With The Wind.”

There are so many misguided ideas in this article that it isn’t even funny.