Well, I’m officially 0 for 3, having thought the Rangers would at least split in LA, picked California Chrome for the Belmont and the Triple Crown and thought that Nole would finally dethrone Rafa at Roland Garros. So much for my prognosticating skills.
But I’m more interested in one of my favorite obsessions, which is Why do some transcend while others don’t? Why didn’t Chrome join the 11 who’ve won the Triple Crown instead of the 12 who came up short in the third leg? Why did Nole, who, after all, has beaten Rafa in every match they’ve played since last year’s US Open, come up short at the French?
Was it nerves? (Nole appeared to vomit before the start of the fourth set...
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All this talk about corruption in the World Cup and Qatar, the 2022 host, having to give out luxury autos to pave the stands, reminds me that it would take a lot more than a giveaway to get Americans to watch soccer. OK, so maybe not a lot more but something.
Despite a large immigrant population that loves it, soccer remains child’s play in this country, watched over by disgruntled “soccer moms” and “soccer dads,” who act like they’re managing the New York Yankees, to mix my sports metaphors.
But I digress from my real purpose here, which is to recall those halcyon days of the 1970s when President Jimmy Carter decided we were all going to become internationalists.
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So Cinderella turned out to be just as unpalatable as her stepsisters. By that I mean that the world is a little less enamored of Steve Coburn since he started crying foul – repeatedly – after his horse, California Chrome, lost his Triple Crown bid at the Belmont Stakes to Tonalist, who didn’t run in the Kentucky Derby or Preakness.
I never thought Coburn and the partner were interesting. I mean, how classy can you be when you name your venture Dumb Ass Partners? No, what was fascinating, beautiful, a dream, was that bright as a penny of a horse with his blaze and four white socks and curiosity about us two-legged types and poise and smarts and heart and in the end, none of it was enough.
And that’s heartbreaking but such is life. I still agree with Coburn, though, that it isn’t fair to come into the Belmont all fresh as a daisy and play spoiler. And I see that plenty in the blogosphere were thinking what I was thinking: You have to play every round of the French Open to get to the final.
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How is it that you can fall in love with someone you don’t know?
What if that someone were a horse?
Millions of us fell in love with California Chrome these past few weeks and millions of us got our hearts broken as he finished out of the money in Saturday’s Belmont Stakes, which increasingly seems to be won by a horse you don’t care about. This year it was Tonalist, who didn’t run in the Kentucky Derby or the Preakness. He’s named for an art principle. (In more than 30 years covering the arts, I never once used the term tonalism. Let’s just admit it’s a pretentious name, and leave it at that, shall we?)
Anyway, CC’s more voluble owner, Steve Coburn, did Chromies no favors...
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No, not that kind of love story. And certainly not the spicy, sensual goings-on of my new novel “Water Music.” But long before there was Fedal, Rafanole and Novandy, there was – well, they didn’t combine names in those days, did they? So there was Björn and Johnny Mac – a tennis rivalry and bromance set to the Stones and Sex Pistols, with a little ABBA thrown in for good measure.
I’ve been looking back on them in “Epic: John McEnroe, Björn Borg and the Greatest Tennis Season Ever” by Matthew Cronin (John Wiley & Sons Inc., 2011). It’s part history lesson, part psychological study. As a history lesson, it is, as Mac himself might say, “the pits.” I never trust a title, nor use phrases, that proclaim such-and-such the greatest ever, because you know what? Time ain’t over.
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Why is everybody up in arms about sports nut Steve Ballmer buying the Los Angeles Clippers for $2 billion?The team, people say, is worth $750 million at best. It’s all about the television rights jacking up the price in the second biggest market, others say.
I say it’s only about one thing – what the market will bear. It’s like the art market. (Or the stock market.) You pay $95 million for a Van Gogh, it’s worth $95 million. Now is a Van Gogh worth $95 million? Actually, I’d have to say that since he was a great artist – a great dead artist who can’t make any more paintings – then a Van Gogh is priceless. But we don’t live in a world of aesthetics. We live in a world of insurance policies – so much if your roof is damaged, so much if your windshield is cracked. Everything has its price, which is not the same as its value.
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There’s no Prince Harry to spice up the Greenwich Polo Club this year, but that doesn’t mean fans aren’t in for an exciting season.
Things get off to a rollicking start Sunday, June 1 with the White Birch home team – named after club founder Peter Brant’s White Birch Farm and White Birch Paper – in action against CT Energia. The home team will be led by Argentina’s Mariano Aguerre, considered one of the all-time greats, and his fleet countryman Hilario Ulloa. In April, the two teamed to help Alegria take the U.S. Open title.
The polo club is set in Greenwich’s verdant, undulating backcountry. Recently, I had a chance to chat there about the season with Australia’s Nick Manifold, who’ll be playing No. 2, an offensive position, for CT Energia Sunday. What a treat it was to sit out in the grandstand on a picture-perfect spring day, the cottony cumulus clouds so ripe and low that they seemed ready to touch the Jim Dine sculpture (think a huge, modern “Winged Victory”) that stands guard across the field. As the staff put the finishing touches on the immaculately manicured expanse and added patrons’ nameplates to the box seats, Nick gave this relative newbie a polo primer, something I was extremely grateful for as my one experience with the game had been last May’s Sentebale charity match starring Prince Harry and Nacho Figueras that was an otherworldly media event. (Polo does, however, figure in “Criterion,” the third novel in my “The Games Men Play” series, the story of a star-crossed equestrian family told in part from the viewpoint of a horse trying to win the Triple Crown.)
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