Sister acts: The beauty trap, continued

January 11, 2016

At first glance, Carrie Fisher, a contemporary actress and author, and St. Teresa of Ávila, a 17th century philosopher, abbess and mystic, wouldn’t appear to have much in common (even though Fisher was reportedly a script doctor on “Sister Act”).

But the two both wound up in the particularly meaty Jan. 10 edition of The New York Times’ Week in Review as unwitting examples of how far women still have to go when it comes to being defined by men, particularly where their looks are concerned.

Fisher, who reprises her role as Princess Leia in “Star Wars: The Force Awakens,” found herself embroiled in an Internet brouhaha in which posters were unable to forgive the princess for aging – as if the Web were a particularly petulant Peter Pan. This prompted novelist Jennifer Weiner to write a piece in which she opined that we all need to let it go, including that endlessly self-improving Weight Watchers’ investor, Oprah. ...

‘A dangerous gift’: ‘Concussion’ and the NFL

January 3, 2016

“Concussion” – the new movie about football and head trauma – is a beautiful film beautifully rendered. That may be an odd choice of words for a story about two of the sometimes uglier games men play – power and violence – but then, football, like humanity, is a multifaceted subject, at once mindless and Shakespearean, as one character notes.

This football tale is told from the viewpoint of an outsider who longs to be an insider, a Nigerian immigrant who has grown up thinking of America as God’s country. Armed with a slew of degrees from Nigeria, New York and London, Dr. Bennet Omalu (Will Smith) is a proud, accomplished but obscure forensics pathologist working for Dr. Cyril Wecht (Albert Brooks), the chief medical examiner in Allegheny County, Pa., in 2002 when he is given what he describes as “a dangerous gift” – a gift for knowing. ...

The athlete’s dance with the devil

December 30, 2015

The latest performance-enhancing drug scandal involves a star so big, so golden that to utter his name in the same breath as performance enhancement is to breathe sacrilege.

And yet here we are: The NFL and Major League Baseball are investigating an Al Jazeera report that implicates several of their players in the illegal use of human growth hormone, according to secretly taped – and couldn’t-be-more-appropriately-named-if-he-were-christened-by-Central Casting – pharmacy student Charlie Sly, who promptly recanted his claims.

There is really only one name anyone is interested in here – Peyton Manning, as in the superstar quarterback of the Denver Broncos, formerly of the Indianapolis Colts; Sports Illustrated’s 2013 Sportsman of the Year; scion of the Mannings of New Orleans, “football royalty,” as the press is want to note; and pitchman par excellence. ...

Greek to us: ‘Power and Pathos’ at the National Gallery of Art

December 29, 2015

One of my – and my family’s – Christmas gifts to myself was a trip to “Power and Pathos: Bronze Sculpture of the Hellenistic World,” which is at the National Gallery of Art through March 20.

For me, an amateur classicist whose love of Greco-Roman culture threads all of my writing, “Power and Pathos” in Washington was something of a Holy Grail. It originated at the J. Paul Getty Museum in Los Angeles – one of two big shows on the ancient Greeks to appear this year, the other being “The Body Beautiful in Ancient Greece” at the British Museum.

But neither London nor Los Angeles was in my game plan and when my annual Christmas trip to Washington arrived, so did my moment.

That moment didn’t disappoint, for no sooner did my photographing nephew and I enter the exhibit than we encountered “Alexander the Great on Horseback,” a small first century B.C. silver-inlaid bronze replica of the bronze original by Lysippos, the only artist allowed to capture Alexander’s likeness besides the painter Apelles and the gem-carver Pyrgoteles. The backdrop for this equestrian statue is a reproduced portion of “The Alexander Mosaic” (circa 100 B.C.), depicting the Greco-Macedonian conqueror’s defeat of the Persian emperor Darius III at the Battle of Issus. (Both works are in the Museo Archeologico Nazionale in Naples.) ...

A classical Christmas

December 24, 2015

At Christmastide, I like to share one of my traditions, which is a reading of a selection from John Milton’s “Hymn on the Morning of Christ’s Nativity.” As a classical Christian – I know, an oxymoron – I’m always struck by how the advent of Christianity sounded a death knell for Greco-Roman culture. But then, someone’s sunrise is always someone else’s sunset.

Yet Greco-Roman culture – with its sensual tales of gods and heroes, its dramas on the terrible wonder of the human condition, its emphasis on the body in all its brutal beauty – never died. (It’s a theme of Gore Vidal’s 1964 novel “Julian,” about the post-Christian Roman emperor who attempted to reinstall the Greco-Roman pantheon.) The Greeks would instead resurface in the Renaissance and at the turn of the 19th century. ...