Nathanial Hone the Elder’s “Portrait of Catherine Maria ‘Kitty’ Fisher” (1763-64).
In 2013, Tiffany & Co. celebrated Baz Luhrmann’s new film version of “The Great Gatsby” with a day of events that concluded with a Roaring ’20s-style party at the Fifth Avenue flagship. I swanned through the night in a black column dress that was accented mainly by a Kate Spade necklace of green turquoise florets. Throughout the evening, several people stopped me – this was at Tiffany’s, remember – to say what a great necklace it was.
That was the Kate Spade effect. Whether it was with a statement necklace or a book with an inspirational saying or one of her signature vibrant handbags that marked a young woman’s coming of age and defined a generation in the good-times ’90s, Spade had a way of lifting you up. That she could not do the same for herself proved to be her tragedy. …
Read MoreIn the end – after all the melodrama about in-laws and outlaws, race and clashing cultures – it was both a deeply personal moment and a global event brimming with cultural meaning.
A justifiably proud, almost wistful mother seeing her daughter off into a new life; a father-in-law stepping in to escort a bride who might’ve represented the daughter he never had; a self-possessed scion supporting his adored, rougher-around-the-edges kid brother on his big day; and oh, that kid brother – like a hero out of Jane Austen – waiting, craning his neck, hoping almost against hope, as it were, for “her” to appear. Then, finally, yes, it was she, of course, poised at the entrance of the church, but then, who else would it, could it, be? Looking like a goddess …
Read MoreI have a confession to make: I am in love with a much younger man – Prince Louis.
OK, so he’s only 3 weeks old but he has stolen my heart. Prince Louis is already a star — thanks to his shutterbug of a mother, Catherine, the Duchess of Cambridge — but even he will have to take a backseat this week as we get set for the Olympics of romance. I am talking, of course, about the wedding of Meghan Markle and Prince Harry May 19 at 7 a.m. (EDT).
As with any such event, this is not a sprint for the press but a marathon. In my guise as editor of WAG magazine, I have been among those whetting the appetite with wedding previews …
Read MoreBarbara Bush – who died Tuesday at age 92 and was scheduled to be buried today in the presence of four former presidents – has been the subject of many remembrances and reactions this week, most of them admiring of a woman who turned a sharp gaze and an even sharper wit on herself as much as others. So, she no doubt would’ve been amused by The New York Times’ official reflection, whose undercurrent was a motif she often addressed – her appearance. …
Read MoreRecently, I had the pleasure of writing an essay for a new monograph on the contemporary Colombian artist Federico Uribe – whose haunting mixed-media paintings and sculptures draw on a difficult childhood, his complex relationship with Roman Catholicism and the violence of his homeland to explore issues of sex/gender, passion and the body, among others. Now the book is set to be released. ...
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The ballet “Giselle” – the quintessence of 19th century Romanticism – tells the story of a simple, open-hearted peasant girl driven mad for love of Albrecht, a man who’s hidden his aristocratic identity and engagement to another. Dying, Giselle becomes a Wili, one of the female spirits compelled to avenge themselves on the men who wronged them in life by dancing them to death.
In the excellent, though far from perfect, Bolshoi Ballet production given an encore simulcast last Sunday in theaters around the world, there was a great moment in Act 2 when the Wilis dispensed with Hans, Giselle’s unrequited suitor, whose jealousy of the beloved Albrecht sets the tragedy in motion. Under Yuri Grigorovich’s choreography, two of the lead Wilis basically tossed Hans away. They were like elegant bouncers. The ladies sitting behind us ...
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