With the President’s Award, presented to me by ArtsWestchester at the Brae Burn County Club in Purchase, New York, on Wednesday, April 19. *Photograph by Westfair Communications Inc.*

A day to celebrate the transcendent nature of the arts in Westchester

April 20, 2023

ArtsWestchester’s Arts Award Celebration – held Wednesday, April 19, at Brae Burn Country Club in Purchase, New York – was a moving affair and not just because I was lucky enough to be chosen for its President’s Award for my 43 years in covering the arts.

What made it moving was to see how the 10 honorees, some 300 attendees and nine vendors continue to find the arts a transformative experience in their lives and how the White Plains-based ArtsWestchester, perhaps the flagship arts council in New York state, continues to act locally but think globally.

The Metropolitan Museum of Art’s Great Hall, seen here in happier times, is not as bustling as it once was. Some experts have suggested that tourists may not return to the Big Apple until 2023, Photograph by TomasEE.

New York in the time of Covid

September 30, 2021

“So, how was the city?” my hairdresser asked.

I was telling her how my cousin who is also my goddaughter had graciously offered to take me on an impromptu adventure last Saturday evening to The Metropolitan Museum of Art in Manhattan for The Costume Institute’s “In America: A Lexicon of Fashion,” which she, a fashionista by vocation and avocation, was longing to see.

How was the city? Something of a foreign country, but then, as Ric Burns’ “New York: A Documentary Film” (1999-2003) noted, it has always been a place that looked outward to the world rather than to the rest of the nation, particularly to Europe. That internationalism cost it dearly a year ago as the pandemic spread from European visitors throughout the city, where 34,000 people died and thousands more fled.

Irina Belotelkin’s oil portrait of Mikhail Baryshnikov, one of the greatest male dancers of the last half a century.

Faux pas de deux -- Lara Spencer's cultural ignorance

August 28, 2019

The contretemps over “Good Morning America” co-anchor Lara Spencer mocking Prince George for taking ballet lessons is both a tempest in a teapot and the latest salvo in the culture wars that began with the demonization of Western civilization in the 1960s by liberals who could not separate it from its imperialistic, colonial roots and continued with the demonization of the arts in the 1970s and ’80s by conservatives who decried the arts falsely as a louche tax drain.

“We’ll see how long that lasts,” Spencer retorted to the news that the young prince is taking ballet lessons, with his father Prince William’s enthusiastic approval. It was the flippant, stupid remark of someone with no cultural background (remember her short-lived stint on PBS’ “Antiques Roadshow”?) trying to be witty or at least cool, and it was met with swift condemnation, a swift apology and a redemptive moment played out against the backdrop of 300 male dancers in Manhattan’s Times Square.

And that would be the end of it, except that, as one person put it, you can’t unring a bell, particularly in a divisive time in which every statement seems to be a clarion call to partisanship. Perhaps that’s unfair. We all make mistakes. We’re all more than our worst days. Yet Spencer’s ridicule cannot be undone, particularly for those who have been mercilessly bullied or marginalized for their love of the arts.

Philippe I, duke of Orleans, in the robes he wore to his brother Louis XIV’s coronation in 1654, oil on canvas. Palace of Versailles. The Met’s “Camp” show would define the bisexual cross-dressing Monsieur as camp, but would he?

Whose identity is it anyway?

May 12, 2019

The Metropolitan Museum of Art Costume Institute’s exhibit, “Camp: Notes on Fashion” (through Sept. 9) was inspired by Susan Sontag’s seminal 1964 essay “Notes on ‘Camp’,” which she defined broadly as style over substance characterized by theatricality, irony, playfulness, masquerade and unselfconsciousness. It’s a definition and a show that cuts a wide swath, but in the end it turns out to be less about camp and more about identity — its mutability and its ownership.

Is some speech freer than others?

January 21, 2019

Everyone is entitled to his opinion, until, of course, someone thinks he isn’t. Recently, three incidents have challenged our concept of freedom of speech.

Negotiating with the stars

May 16, 2018

One of the more endearing but also infuriating things about Americans is their belief that anyone can do anything if he just works hard enough, fast enough. This is the “Dancing With the Stars” philosophy of life that says you, too, can be a ballroom dancer if you have three weeks of intense training and, possibly, Maksim Chmerkovsky as a partner.

This would be amusing if it weren’t sometimes so deadly. Now we have a president who lacks the talent, temperament, training and technique for the job and it shows in the country pulling unilaterally out of the Iran nuclear deal, moving its embassy to Jerusalem with violent consequences and now facing a North Korean pullout from the planned summit due to American-South Korean military maneuvers. …

‘Giselle’ in the #MeToo age

April 9, 2018

The ballet “Giselle” – the quintessence of 19th century Romanticism – tells the story of a simple, open-hearted peasant girl driven mad for love of Albrecht, a man who’s hidden his aristocratic identity and engagement to another. Dying, Giselle becomes a Wili, one of the female spirits compelled to avenge themselves on the men who wronged them in life by dancing them to death.

In the excellent, though far from perfect, Bolshoi Ballet production given an encore simulcast last Sunday in theaters around the world, there was a great moment in Act 2 when the Wilis dispensed with Hans, Giselle’s unrequited suitor, whose jealousy of the beloved Albrecht sets the tragedy in motion. Under Yuri Grigorovich’s choreography, two of the lead Wilis basically tossed Hans away. They were like elegant bouncers. The ladies sitting behind us ...