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Britney Griner, Glory Johnson and how life imitates art

Just when I think stories about gay athletes who are rivals and lovers – the subjects of my novel series “The Games Men Play” – may be preposterous comes news of the marriage of W.N.B.A. stars Britney Griner and Glory Johnson. 

Griner, the center for the Phoenix Mercury, is the league’s top blocker; Johnson, a forward for the Tulsa Shock, the league’s No. 3 rebounder. They hit it off away from the courts and, despite a bump in the relationship that resulted in both being arrested on domestic violence charges (and suspended for seven games), married on May 8 in Phoenix.

It was a story I read with great interest, because the heroes of my forthcoming second novel “The Penalty for Holding” – Quinn and Tam, rival quarterbacks – consider marriage. (Griner and Johnson were also rivals during their college years, just like Tam and Mal – the third figure in my quarterback triangle – are.)

Adding a twist to the Briner-Johnson story: Johnson is straight. ...

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‘Far From the Madding Crowd’ and the games men – and women – play

The new film of “Far From the Madding Crowd,” based on the evocative Thomas Hardy novel, has gotten mixed reviews – which is too bad. Directed by Thomas Vinterberg and adapted by David Nicholls, it is a movie of great feeling and equally great subtlety, not an easy combination to come by, with cinematography by Charlotte Bruus Christensen that captures the bucolic moodiness of England’s “Hardy country” and a haunting score by Craig Armstrong that makes excellent use of both the folk and symphonic traditions.

“Madding” is also superbly acted by a cast that conveys the emotional complexity of  an independent young woman navigating a man’s world. Bathsheba Everdene (Carey Mulligan) is the woman in question. Poor and orphaned but nonetheless well-educated, she has no inclination to marry. A turn of good fortune (her late uncle leaves her his farm) ensures she won’t have to. But if it’s true, as Jane Austen said ironically, that a single man of good fortune must be in want of a wife, then it’s equally true, as Hardy implies, that a single woman of great beauty must be in need of a husband. Before you can say “The Bachelorette,” Bathsheba’s suitors are lining up. Rising farmer-turned-down-on-his-luck shepherd Gabriel Oak (Matthias Schoenaerts) is first up, with his offer of a pet lamb and a piano. He’s kind, intelligent, spirited and hard-working – a woman’s idea of a man’s man – and since he’s played by sex symbol du jour Schoenaerts, the obvious match for Bathsheba. (Indeed, you don’t have to read past the first chapter of the novel to know this.) But Bathsheba is too young and willful to see it. She’d be happy enough to be a bride, the center of attention, as long as she didn’t have the responsibilities of a wife. That never works. ...

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Tom Brady and Alex Rodriguez: Statistics and probability

Is it merely coincidental that Gisele Bündchen skipped The Metropolitan Museum of Art gala precisely at the moment when hubby Tom Brady was about to be raked over the coals for his role in Deflategate?

What is it that they said in the Deflategate report? It’s “more probable than not” that it was a coincidence. Still, she and he have been staples on the gala’s red carpet for years. Let’s just say it was convenient that she had to attend that Chanel Cruise Seoul event half a world away.

Gala empress Anna Wintour filled in the football slot with Green Bay Packers’ quarterback Aaron Rodgers – who is not in trouble for overinflating his balls, to the chagrin of some – and his girlfriend, actress Olivia Munn, whose J. Mendel gown overwhelmed with its sleeves. (The gala’s fashion proved that less really is more. The more straightforward the gown, as in Gong Li’s black lace and marsala velvet evocation of the gala’s Chinese theme, the more stunning it was.) ...

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Tom Brady’s shadow in the sun

Paging Gisele.

Because Ms. Bündchen – a tiger wife if there ever was one – is all that stands between hubby Tom Brady and his squishy balls on the one hand and ignominy on the other.

As even the horses that ran the recent Kentucky Derby now know, a report issued by the Manhattan law firm of Paul, Weiss, Rifkind, Wharton & Garrison on behalf of the NFL has concluded that Brady was probably aware that two lower-level employees of the New England Patriots were deflating balls.

Probably? Here are excerpts of text messages between Jim McNally, the longtime locker-room attendant responsible for the air pressure in Brady’s balls, so to speak, and John Jastremski, an equipment assistant who seems to have served as a go-between...

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A pharaonic Kentucky Derby

Congrats to American Pharoah – and yes, it is spelled the wrong way – for winning a thrilling 141st Kentucky Derby, coming down the stretch to overtake Dortmund, the third place finisher, and hold off Firing Line, who finished second.

It was the third Derby win and second in a row for jockey Victor Espinoza, who rode beloved California Chrome last year; the fourth win for trainer Bob Baffert; and the first win in four attempts for Egyptian-born owner Ahmed Zayat, who said he has no fears for the Preakness, which will be run May 16 at Pimilco in troubled Baltimore.

With the first leg of the Triple Crown concluded, the other race begins – the one that has for 37 years has been defined by dashed hopes. Can American Pharoah do what no horse has done since Affirmed in 1978 and win the Triple Crown? His talent says yes and history says no, the experts say.

I say it’s such a pharaonic challenge as to be both an irresistible dream – and subject. (“Criterion,” the planned third novel in my series “The Games Men Play,” is told in part from the viewpoint of the title racehorse, who’s trying to win the Triple Crown.)

Part of the fun of Derby Day is, of course, the fashion, and not just at Churchill Downs. In my guise as editor of WAG magazine, I was among the judges (with WVOX Radio’s John Marino and jockey Tyler Buter) of the Derby Hat Contest at Empire City Casino at Yonkers Raceway. ...

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The transgendered nature of art

Bruce Jenner’s transition to womanhood and the profile of transgendered model Andreja Pejić in May Vogue have got me thinking about the transgendered nature of art.

Consider Thomas Hardy – whose “Far From the Madding Crowd” has been made into a new film starring Carey Mulligan, the sensual Matthias Schoenaerts and the estimable Michael Sheen. For him to create some of fiction’s greatest romantic heroines, and heroes, he had to understand a woman’s mind and heart as well as that of a man. For George Balanchine to create some of ballet’s finest works, he had to know a woman’s body as intimately as a man’s.

Art has also long been preoccupied with hermaphroditism – the condition of having the physical attributes of both sexes. In ancient Greek mythology, Hermaphroditus – son of Hermes, the messenger god, and Aphrodite, goddess of love and beauty – was a beautiful youth beloved by the water nymph Salmacis, who embraced him against his will in her pool and prayed that the two would become one. ...

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Bruce Jenner and the divided self

Much of what has been written and said about Bruce Jenner coming out as a transgendered woman has been derisive and ignorant, the two qualities usually going hand-in-hand. Watching his interview with Diane Sawyer on ABC’s “20/20,” I could only feel sadness. It must be terrible to spend your whole life thinking it’s wrong to be yourself.

The self is much under siege nowadays, no doubt as a backlash to our cult of narcissism. The self must be sacrificed to the good of others – critics say. Never mind that others can become a kind of tyranny that crushes the individual spirit.

I’m no libertarian, but you cannot sacrifice what you do not possess. Self-sacrifice implies a self to sacrifice. I thought the single most illuminating moment in the interview was the one in which Jenner said that stepdaughter Kim Kardashian reached out to him in support after her husband, Kanye West, told her that unless you’re happy in yourself it doesn’t matter how wonderful your wife and child are. ...

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