In Larry David’s extremely awkward “Saturday Night Live” appearance a few weeks back, he worried that the recent rash of sexual predators was all Jewish – which is not true, but anyway, what I thought he was going to say was that they were all unattractive. (This was before Matt Lauer and Peter Martins, ballet master in chief of New York City Ballet, were added to the list of sexual harassers.) ...
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In his Sunday New York Times’ piece “The Unexamined Male Libido,” writer Stephen Marche offers this revelatory thought: “Men arrive at this moment of reckoning (about sexual harassment) woefully unprepared. Most are shocked by the reality of women’s lived experience.”
Translation: Men live with women. Men sleep with women. Men father women’s children. But they don’t know them. ...
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Somewhere up there, Princess Diana is smiling.
And Wallis Warfield Simpson, aka the Duchess of Windsor, is laughing her skinny butt off.
For Prince Harry of Wales has announced that come next spring he is taking a bride. And not just any bride but a divorced, American one at that. ...
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“What a week,” Robert Costa, moderator of PBS’ “Washington Week,” sometimes begins his broadcast. But really, he could just say that every week. Another mass shooting. Another celebrity – or 10 – accused of sexual harassment. Puerto Rico still mainly without power. It’s sort of like an evil “Groundhog Day.” ...
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The game of tennis has always served the arts brilliantly.
Combining the elegance of chess and the brutality of boxing – or should that be the brutality of chess and the elegance of boxing? – tennis relies on an individualism that appeals to the writer and a balletic motion that captivates visual artists.
The Roundabout Theatre Company production of Anna Ziegler’s new play “The Last Match” – which opens Tuesday, Oct. 24 at the Harold and Miriam Steinberg Center for Theatre in Manhattan – does not stint on the visual. ...
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Among the questions to emerge from the Harvey Weinstein scandal is one that human beings of conscience have been grappling with forever: Is it ethical to support the work of a scoundrel?
At first glance, the answer would appear to be simple: Art transcends biography. You wouldn’t rebuff a child because his father was a murderer, would you? So why hate the brainchild of a Weinstein or a Woody Allen – who, tellingly cautioned about a “witch hunt” against Weinstein – or a Mel Gibson or any other artist/athlete accused of heinous behavior?
But it’s more complex than that, isn’t it? ...
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In Anna Ziegler’s new play “The Last Match,” opening in Manhattan Oct. 24, she uses the rivalry between two male tennis players – think an American Roger Federer and an early Novak Djokovic – to tell the story of life at deuce, never advancing without retreating, never retreating without advancing.
Perhaps the reason the world is at deuce is because the people who created it – primarily men – are at deuce. (It’s the score in tennis, at 40-40, from which the player must win two points in order to win the game.)
Think about it: Most of the world’s great creations were made by men (as men like to point out as a way to explain their superiority to women). All but 49 of the 923 Nobel laureates have been men.
And yet – you know there’s always an “and yet” – they have consistently destroyed the worlds they have created. You could say that this is the human condition, but in fact it’s the male condition. ...
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