As a lifelong New Yorker, I love going to the city and I love leaving it.
My happiest journey was always riding the Madison Avenue bus up to The Metropolitan Museum of Art in spring with my Aunt Mary for work. I still love riding the bus there for work.
But I always exhale when the train hits the ’burbs. Something about seeing a greater ratio of greenery to concrete eases me.
New York is a tough, tough place. Come to it with a chip on your shoulder, someone once told me, and it will crush you. Approach it humbly and it will open like a flower. ...
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At first glance, Carrie Fisher, a contemporary actress and author, and St. Teresa of Ávila, a 17th century philosopher, abbess and mystic, wouldn’t appear to have much in common (even though Fisher was reportedly a script doctor on “Sister Act”).
But the two both wound up in the particularly meaty Jan. 10 edition of The New York Times’ Week in Review as unwitting examples of how far women still have to go when it comes to being defined by men, particularly where their looks are concerned.
Fisher, who reprises her role as Princess Leia in “Star Wars: The Force Awakens,” found herself embroiled in an Internet brouhaha in which posters were unable to forgive the princess for aging – as if the Web were a particularly petulant Peter Pan. This prompted novelist Jennifer Weiner to write a piece in which she opined that we all need to let it go, including that endlessly self-improving Weight Watchers’ investor, Oprah. ...
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We continue looking back – and ahead – with the top stories covered by this blog in 2015. In the last post, I considered the top sports stories. Now I explore the top cultural events of a tumultuous year:
Pluto rising
It was the summer (OK, July) of the little planet that could as NASA’s New Horizons spacecraft staged an expensive ($700 million) but profitable flyby. “Pluto, still smarting from its demotion to dwarf planet, nonetheless revealed itself to be a complex world, with a polar ice cap, rugged mountains, smooth plains, and reddish patches that recalled the surface of Mars,” Nicola Twilley writes. ...
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“Concussion” – the new movie about football and head trauma – is a beautiful film beautifully rendered. That may be an odd choice of words for a story about two of the sometimes uglier games men play – power and violence – but then, football, like humanity, is a multifaceted subject, at once mindless and Shakespearean, as one character notes.
This football tale is told from the viewpoint of an outsider who longs to be an insider, a Nigerian immigrant who has grown up thinking of America as God’s country. Armed with a slew of degrees from Nigeria, New York and London, Dr. Bennet Omalu (Will Smith) is a proud, accomplished but obscure forensics pathologist working for Dr. Cyril Wecht (Albert Brooks), the chief medical examiner in Allegheny County, Pa., in 2002 when he is given what he describes as “a dangerous gift” – a gift for knowing. ...
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“Concussion” – starring Will Smith as Dr. Bennet Omalu, the forensic pathologist who blew the whistle on NFL head injuries and their relationship to chronic traumatic encephalopathy (CTE), a form of dementia – opens on Christmas Day and is already stirring the pot.
Some say it’s too easy on the NFL.
Others that the movie plays fast and loose with the events and exaggerates the relationship between football and poor health.
“Are we actually watching players kill themselves before our eyes?” Daniel Engber writes for Slate. ...
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The acclaimed new movie “The Danish Girl” – about the artist Einar Wegener, who became the first person to have male-to-female sex reassignment surgery – raises intriguing questions about the nature of art.
Specifically, should a transgender role be played by a transgender actor? (The film stars Eddie Redmayne, who won an Oscar for his performance as Stephen Hawking in “The Theory of Everything” and has been nominated once again for a Golden Globe and a Screen Actors Guild Award for “Girl.”) More broadly, should creative and interpretive artists stick to their own experiences? The latter is a question that I have a vested interest in as the author of the debut novel “Water Music,” about four gay athletes and how their professional rivalries color their personal relationships with one another, and the forthcoming “The Penalty for Holding,” about a gay, biracial quarterback’s search for identity, success, acceptance and love in the NFL. (They’re both part of my series “The Games Men Play.”)
What, I’m often asked, would a woman – and a straight one at that – know about gay sex? ...
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With virtually everyone weighing in on Ol’ Blue Eyes 100th birthday Saturday, Dec. 12, I thought I’d put in my two cents since I covered him live and from a distance for Gannett.
Any discussion of Frank Sinatra begins and ends with talent. His was deep, varied and wrapped in a complex personality. Begin with the Voice – distinctive, limpid and punctuated by the impeccable phrasing and superb breath control he learned from bandleader Tommy Dorsey’s trombone playing. Throw in his dancing – a talent people don’t generally associate with Sinatra. But his was fluid and fleet. (See “Anchors Aweigh” or “On the Town.”) ...
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