Tragedy, they say, returns as farce and so it is with Rudolph Giuliani – former New York City prosecutor and “America’s mayor” – who in defending his new client President Donald J. Trumpet to “Fox News’” Sean Hannity contradicted him on the Stormy Daniels matter, perhaps putting him in legal jeopardy. More tellingly, Rudy Two Shoes told Hannity he might have “to get on my charger and go into (Robert Mueller’s) offices with a lance” to defend his damsel in distress, his Dulcinea – Ivanka Trump. (I think I speak for women everywhere when I say Ivanka can take care of herself.) …
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Modern Medusas: From Barbara Bush to Barbra Streisand
Barbara Bush – who died Tuesday at age 92 and was scheduled to be buried today in the presence of four former presidents – has been the subject of many remembrances and reactions this week, most of them admiring of a woman who turned a sharp gaze and an even sharper wit on herself as much as others. So, she no doubt would’ve been amused by The New York Times’ official reflection, whose undercurrent was a motif she often addressed – her appearance. …
Read More‘Giselle’ in the #MeToo age
The ballet “Giselle” – the quintessence of 19th century Romanticism – tells the story of a simple, open-hearted peasant girl driven mad for love of Albrecht, a man who’s hidden his aristocratic identity and engagement to another. Dying, Giselle becomes a Wili, one of the female spirits compelled to avenge themselves on the men who wronged them in life by dancing them to death.
In the excellent, though far from perfect, Bolshoi Ballet production given an encore simulcast last Sunday in theaters around the world, there was a great moment in Act 2 when the Wilis dispensed with Hans, Giselle’s unrequited suitor, whose jealousy of the beloved Albrecht sets the tragedy in motion. Under Yuri Grigorovich’s choreography, two of the lead Wilis basically tossed Hans away. They were like elegant bouncers. The ladies sitting behind us ...
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Trump’s crisis of leadership
The continuing Revolving Door Policy of the Trump Administration has thrown the systemic failure of Alexandrian leadership – leadership from the front – into sharp relief.
President Donald J. Trumpet has surrounded himself with Trumpettes – yes-men and, to a lesser extent, yes-women – and distanced himself from the No, No, Nanettes. Which is odd, considering his professed love of chaos. Wouldn’t you want some tension, some conflict? ...
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Thoughts on Stephen Hawking
The word “intellectual” has become a dirty one in our culture, and scientists, artists and academics suspect. But there is no greatness in this world without great thinking.
Stephen Hawking – the transcendent English theoretical physicist, cosmologist and mathematician, who died Wednesday, March 14 at age 76 after battling motor neuron disease his entire adult life – had, of course, a great mind, one that bridged Einstein and quantum theory...
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The emotional minefield of #MeToo
The #MeToo movement continues to explode, and we continue to tread gingerly through its landmine-riddled landscape.
The New York Times skewers Alec Baldwin for satirizing P-Grabber in Chief Donald J. Trump while defending filmmakers Woody Allen and James Toback, both accused of sexual abuses. Actress/author Rose McGowan – who’s been fiercely outspoken in her accusations of film producer Harvey Weinstein raping her – cuts off interviewer Christiane Amanpour before she can read a Weinstein response to McGowan’s new book, “Brave.” Museums wonder what their response should be to photographer Chuck Close, who has apologized for sexual harassment.
And yet, a woman friend of mine, a Hillary Clinton supporter whom I consider to be strong on women’s issues, wonders if we’ve gone too far ...
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A timely ‘Post’ about an underestimated woman
We get, it is often said, the art we deserve – that is, the art we need, the art that the times demand.
That certainly could be said of the new Steven Spielberg thriller, “The Post.” The story of a First Amendment showdown between a rising newspaper, The Washington Post, and the Nixon White House, “The Post” works on several different planes – politically, professionally and personally, as Edie Demas, executive director of the Jacob Burns Film Center, noted at the screening I attended. As such the movie speaks to an era in which “fake news” and #MeToo have become buzzwords. ...
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