A double life: Sex, Aaron Hernandez and the limits of culture

April 24, 2017

Now it all makes sense – the drug-taking, the trigger macho culture and, perhaps most important, the revelation of bisexuality.

Suicide, as I wrote about the hanging death of former New England Patriots’ tight end Aaron Hernandez, always begs the question, Why? But those of us who believe passionately in reason – that there is an answer for everything, no matter how unknowable it may seem at the moment – knew there had to be more to the murder of Odin Lloyd, and Hernandez’s life in prison sentence for it, than the company they kept and any perceived disrespect within their gang culture. ...

Dead ‘innocent’

April 19, 2017

In “The Penalty for Holding” (Less Than Three Press, May 10) – the second novel in my series “The Games Men Play” – quarterback Quinn Novak wonders which is more depressing: prison or a hospital.

I think on this day you would have to say prison ...

As the Easter egg rolls: A bromantic breakup

April 18, 2017

Easter eggs are not all that have been breaking lately. Hearts have been broken, too, as the bromance of the century ends.

Donald J. Trumpet and Vladdie “Rootin’ Tootin’” Putin called it quits after a relationship that lasted less time than that of Aaron Rodgers and Olivia Munn but certainly longer than Britney Spears’ first marriage.

“There is a low level of trust between our countries,” Secretary of State “Sexy Rexy” Tillerson, the John Forsythe of our 1980s nighttime soap opera, noted somberly after meeting with the Russians. ...

Of two worlds, belonging to neither

April 15, 2017

Often in life you do something without realizing until later what it meant. When I wrote “The Penalty for Holding” (May 10, Less Than Three Press) – the second novel in my series “The Games Men Play” – I had several goals in mind. Sexy male-male romance? Check. A story that continued the series’ themes of power, dominance and rivalry? Check. A novel about leadership, the workplace and how violence in the workplace spills into everyday life? Check, check and check.

What I hadn’t counted on – what I hadn’t foreseen – was the return of isolationism that ushered in Brexit and Trump and that provides the context for the novel’s theme of belonging. And belonging is one of the great themes of our time. Who are we and where do we belong? For the answer to the first will determine the second. Or at least it should. ...

The Nazi meme and the dumbing down of America

April 13, 2017

White House Press Secretary Sean Spicer has apologized for saying that Adolf Hitler didn’t gas his own people and, presumably, for adding that Hitler did bring them into the “Holocaust centers” – you know, the death camps with those nifty gift shops.

Spicer, of course, was awkwardly trying to set up one of the standard ploys of his boss, President Donald J. Trump, which is to throw someone under the bus by comparing that person to someone else who represents abject evil. Apparently, Trumpet has decided that Vladdie Rootin’ Tootin’ Putin’s sell-by date has arrived and thus needs to blame Russia for backing Syrian President Bashar al-Assad, who has been roundly condemned for using chemical weapons on his people. ...

The rules of engagement: Trump rejoins the world America never left

April 10, 2017

President Donald J. Trump’s decision to respond to the chemical weapons attack in Syria with a bombardment of 59 Tomahawk missiles was the most presidential thing he has done so far. He’s not the first president to use an air strike as a form of gesture politics and, sadly, he won’t be the last.

But it had to be done. It’s what a President Hillary Clinton would’ve done. It’s what President Barack Obama should’ve done. What does it accomplish? Maybe nothing. But you cannot let chemical weapons go unnoticed. This year marks the centennial of the United States’ entry into World War I, the Great War, in which millions were gassed. The response was “Never again.” And yet it has happened, again and again. ...

Whose art is it anyway?

April 3, 2017

The painting shows a young black man in a coffin, his face a blur of color in the manner of Abstract Expressionist art – and violent death.

The departed, then, is not just someone who has succumbed to the ills that the flesh is heir to. Emmett Till was just 14 years old when he was lynched by two white men for flirting with the wife of one of them. “Open Casket, “ on view at the Whitney Biennial, is Dana Schutz’s 2016 painting of a mutilated Till in the open casket his mother, Mamie Till Bradley, insisted on. The work has drawn protests and condemnation from black artists and writers, who question the right of a white woman to appropriate a searing moment in black history. ...