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‘Giselle’ in the #MeToo age

The ballet “Giselle” – the quintessence of 19th century Romanticism – tells the story of a simple, open-hearted peasant girl driven mad for love of Albrecht, a man who’s hidden his aristocratic identity and engagement to another. Dying, Giselle becomes a Wili, one of the female spirits compelled to avenge themselves on the men who wronged them in life by dancing them to death.

In the excellent, though far from perfect, Bolshoi Ballet production given an encore simulcast last Sunday in theaters around the world, there was a great moment in Act 2 when the Wilis dispensed with Hans, Giselle’s unrequited suitor, whose jealousy of the beloved Albrecht sets the tragedy in motion. Under Yuri Grigorovich’s choreography, two of the lead Wilis basically tossed Hans away. They were like elegant bouncers. The ladies sitting behind us ...

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An inspiring event with Billie Jean King

Here I am with (left to right) judge and journalist Lisa Wexler, tennis legend Billie Jean King and WAG society editor Robin Costello at a benefit for Fairfield County’s Community Foundation: The Fund for Women & Girls at the Hyatt Regency Greenwich earlier today. The Foundation, which empowers underserved girls and women to do everything from leaving abusive relationships to starting businesses, raised a projected $110,000 — $10,000 from King herself. She is like that ...

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Trump’s crisis of leadership

The continuing Revolving Door Policy of the Trump Administration has thrown the systemic failure of Alexandrian leadership – leadership from the front – into sharp relief.

President Donald J. Trumpet has surrounded himself with Trumpettes – yes-men and, to a lesser extent, yes-women – and distanced himself from the No, No, Nanettes. Which is odd, considering his professed love of chaos. Wouldn’t you want some tension, some conflict? ...

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The myth of the strongman

Syria’s Bashar al-Assad. Turkey’s Recep Tayyip Erdoğan. Israel’s Benjamin Netanyahu. North Korea’s Kim Jong-un. The Philippines’ Rodrigo Duterte. Venezuela’s Nicolás Maduro. Russia’s Vladimir Putin. China’s Xi Jinping. And, of course, our own Donald J. Trump.

The world is in the grips of the strongman – tough, reactionary and taking no prisoners. Part of this is a response to the terrible, fascinating transition in which we find ourselves – a backlash to the global, multicultural, digital age to which so-called “feminine” energies (communications skills, sensitivity, a sense of service) are better suited. Part of this is the envy, rage and resentment, particularly in this country, of white, blue-collar males, who lacked the courage, intelligence, industry and imagination to confront their greedy employers and, failing that, reinvent themselves when manufacturing jobs began to dry up in the 1970s. ...

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The emotional minefield of #MeToo

The #MeToo movement continues to explode, and we continue to tread gingerly through its landmine-riddled landscape.

The New York Times skewers Alec Baldwin for satirizing P-Grabber in Chief Donald J. Trump while defending filmmakers Woody Allen and James Toback, both accused of sexual abuses. Actress/author Rose McGowan – who’s been fiercely outspoken in her accusations of film producer Harvey Weinstein raping her – cuts off interviewer Christiane Amanpour before she can read a Weinstein response to McGowan’s new book, “Brave.” Museums wonder what their response should be to photographer Chuck Close, who has apologized for sexual harassment.

And yet, a woman friend of mine, a Hillary Clinton supporter whom I consider to be strong on women’s issues, wonders if we’ve gone too far ...

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The State of the Union – the Trumps’ and ours

President Donald J. Trumpet went all “Kumbaya” in his State of the Union address Tuesday night, proclaiming the pablum platitude that every president proclaims – that the state of the union is strong, because the American people are strong and together they’ll continue to be strong, blah, blah, blah, blah, blah.

Look, it’s too little, too late. The mean-spirited, divisive damage is already done, with more always just an unscripted tweet away. And in case you didn’t get that message ...

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A timely ‘Post’ about an underestimated woman

We get, it is often said, the art we deserve – that is, the art we need, the art that the times demand.

That certainly could be said of the new Steven Spielberg thriller, “The Post.” The story of a First Amendment showdown between a rising newspaper, The Washington Post, and the Nixon White House, “The Post” works on several different planes – politically, professionally and personally, as Edie Demas, executive director of the Jacob Burns Film Center, noted at the screening I attended. As such the movie speaks to an era in which “fake news” and #MeToo have become buzzwords. ...

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